Among several residential buildings designed for the Belgrade investor and owner Josif Šojat, an interpolated multi-storey building (residential building with rented apartments) in 33 Kralja Milutina Street stands out, with which Zloković brought the spirit of Mediterranean profane architecture into the Vračar city agglomeration, making several form gestures atypical for the previous Belgrade architecture.
The family house of the architect Milan Zloković – Villa Kaja – built in 1927. in the Neimar settlement in Vračar marked the penetration of modern architecture into the Belgrade environment.
Nevena Zaborski’s house is designed as a two-storey family house with one apartment –
living room on the ground floor and bedrooms upstairs. In the exterior design, the street facade is symmetrical and treated like a smooth wall surface. The painting treatment of the facade is accentuated by a wide frame.
Among a number of modern family houses – villas built in Belgrade during the 1930s, in which the influences of the modern movement were mostly formally applied, Zloković’s Villa Prendić, owned by lawyer Jovan Prendić, stands out, in whose architecture the principles of modernism are treated much more consistently and comprehensively.
With the architecture of Villa Šterić, owned by Dragoljub Šterić, Zloković continues to consider the spatial and organizational concepts of single-family residential buildings. Conceived as a detached family house on a plot, withdrawn from street regulation, Villa Šterić is spatially directed towards the garden towards which the cubes of the building are lowered.
Founded in 1924, immediately after the formation of the Faculty of Medicine in Belgrade, the University Children’s Clinic was an independent health institution for which a new purpose-built building was erected between 1936 and 1940 according to a project by Milan Zloković.
The automotive industry of the first half of the 20th century was accompanied by a strong modernization process based on new technological and economic possibilities. In such an environment, modern architecture favored the presentation of modern achievements (products of the new industry), just as new car models were an appropriate attribute for a complete presentation of modern architectural achievements (house – machine).