{"id":6931,"date":"2020-07-27T10:55:49","date_gmt":"2020-07-27T08:55:49","guid":{"rendered":"https:\/\/www.milanzlokovic.org\/research\/field-research\/"},"modified":"2020-07-27T11:33:47","modified_gmt":"2020-07-27T09:33:47","slug":"field-research","status":"publish","type":"page","link":"https:\/\/www.milanzlokovic.org\/en\/research\/field-research\/","title":{"rendered":"Field Research"},"content":{"rendered":"\t\t
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Field Research<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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Many architects, inspired by the models and ideals of classical art, and later the future leaders of the modern movement, went to the sources of ancient civilization in modern times, in search of a better understanding of the evolution of architectural forms and architectural principles that should inspire them for new possibilities of architectural development. At the beginning of his career, the architect Zlokovi\u0107 continued this practice of cognitive significance for architects, first by going to the field recording of the Church of the Mother of God in the Gradac monastery (Serbia) in 1922 on the advice of Gabriel Millet, whose lectures he attended during his stay in Paris, and then in June 1923. year and the expedition led by Dr. Vladimir Petkovi\u0107, professor at the University of Belgrade and director of the National Museum in Belgrade. He then traveled to the Prespa and Ohrid regions (North Macedonia), collecting data on twelve different monuments, mostly monasteries from the Byzantine era, in the form of field sketches. In the medieval architecture of the De\u010dani monastery (Kosovo), he found an applied system of proportions, while in the residential architecture of Ohrid (Norht Macedonia), Prizren (Kosovo) and Ulcinj (Montenegro), he noticed rational architectural structures and simple design solutions.<\/p>\n

His Boka (Bay of Kotor, Montenegro) origin connected him to this area of \u200b\u200bthe Mediterranean, to which he often returned, studying the profane architecture of palaces and houses of prominent citizens and Boka captains, which, as Zlokovi\u0107 describes, “reflected the reasonable connection of their clearly defined needs and desires with the experience of local masons and Kor\u010dula \u00a0(Croatia) stonemasons “, while their” way of building was rational and aesthetically based on inherited building and urban planning rules “. According to Zlokovi\u0107, the captains of Boka were the exclusive architects of their houses, who passed on their ideas to the master builder. Zlokovi\u0107 could see signs of modular and economical construction in the old practice of using Kor\u010dula stone, which was bought or ordered according to standard measures, as well as in the arrangement of finished stone elements on an empty construction site before construction to determine the future architecture of the building. During the fourth decade, Zlokovi\u0107 went on field research on several occasions and recorded the architectural heritage of the Balkans and then translated the results and outcomes of that research into several written works published in professional and scientific periodicals. Under his leadership, in 1953, a student internship was organized for the filming and display of civic architecture in the Bay of Kotor. Before the war, passing through the lands of the then kingdom (Southern Serbia, Montenegro, Bosnia, Herzegovina, Dalmatia), Zlokovi\u0107 noticed and photographed vernacular architecture, its relationship to the environment and methods of construction, use of materials and building assemblies, decorative processing and craftsmanship. Zlokovi\u0107 then used this rich collection of authentic images for an illustrative overview of Yugoslav wooden architecture (Jugoslaviens Balkanische Holzarchitekturen<\/em>) with a map of 342 original photographs – architectural analogies between Japan and the Balkan Peninsula as border areas of the Oriental Asian cultural zone – which he submitted in September 1940 to an international competition announced on the occasion of the 2600th anniversary of the founding of the Japanese Empire. The outcome of the competition remained unknown due to the outbreak of World War II.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"Notes
Notes by Milan Zlokovi\u0107 from the study mission in Paris (1922\/23) and a recording of a map of the area of \u200b\u200bspread of Serbian medieval architecture from the book by F. Benoit (1912)<\/figcaption><\/figure><\/a><\/div>
\"Milan
Milan Zlokovi\u0107 (standing with a notebook in his hands) during the filming of the Church of the Mother of God of the Gradac Monastery (Serbia), photo from 1922<\/figcaption><\/figure><\/a><\/div>
\"Drawings
Drawings of the Church of the Mother of God of the Gradac Monastery (Serbia), endowment of Queen Jelena, second half of the 13th century<\/figcaption><\/figure><\/a><\/div>
\"Town
Town house in Ohrid (North Macedonia), photo from 1935<\/figcaption><\/figure><\/a><\/div>
\"Combined
Combined two-storey Christian houses in Ohrid (North Macedonia), prospects. Recorded during the 1935 expedition<\/figcaption><\/figure><\/a><\/div>
\"Three-storey
Three-storey christian house in Ohrid (North Macedonia), layout plan. Recorded during the 1935 expedition<\/figcaption><\/figure><\/a><\/div>
\"Town
Town street in Ohrid (North Macedonia), photo from 1935<\/figcaption><\/figure><\/a><\/div>
\"A
A fragment of a street in Ohrid (North Macedonia), a photograph from 1935<\/figcaption><\/figure><\/a><\/div>
\"Two-storey
Two-storey Muslim house in Ohrid (North Macedonia), elevation. Recorded during the 1935 expedition<\/figcaption><\/figure><\/a><\/div>
\"Two-storey
Two-storey Muslim house in Ohrid (North Macedonia), layout plan. Recorded during the 1935 expedition<\/figcaption><\/figure><\/a><\/div>
\"A
A fragment of a street in Ohrid (North Macedonia), a photograph from 1935<\/figcaption><\/figure><\/a><\/div>
\"Two-storey
Two-storey Muslim house in Ohrid (North Macedonia), elevation. Recorded during the 1935 expedition<\/figcaption><\/figure><\/a><\/div>
\"Two-storey
Two-storey Muslim house in Ohrid (North Macedonia), layout plan. Recorded during the 1935 expedition<\/figcaption><\/figure><\/a><\/div>
\"One-storey
One-storey house in Ohrid (North Macedonia), photo from 1935<\/figcaption><\/figure><\/a><\/div>
\"Three-storey
Three-storey house in Ohrid (North Macedonia), photo from 1935<\/figcaption><\/figure><\/a><\/div>
\"A
A fragment of a street in Ohrid (North Macedonia), a photograph from 1935<\/figcaption><\/figure><\/a><\/div>
\"One-storey
One-storey house in Ohrid (North Macedonia), photo from 1935<\/figcaption><\/figure><\/a><\/div>
\"Church
Church of St. Clement in Ohrid (North Macedonia), view from the north-east side, photograph from 1923<\/figcaption><\/figure><\/a><\/div>
\"Church
Church of St. Kliment in Ohrid (North Macedonia), view from the south, photograph from 1923<\/figcaption><\/figure><\/a><\/div>
\"Church
Church of St. Sofia in Ohrid (North Macedonia), west side, photograph from 1923<\/figcaption><\/figure><\/a><\/div>
\"Church
Church of St. Sofia in Ohrid (North Macedonia), east side - apse, photograph from 1923<\/figcaption><\/figure><\/a><\/div>
\"Church
Church of St. Sofia in Ohrid (North Macedonia), the layout plan of the church and gallery, a photograph of the church from 1923<\/figcaption><\/figure><\/a><\/div>
\"Church
Church of St. Sofia in Ohrid (North Macedonia), longitudinal section, photograph of the church from 1923<\/figcaption><\/figure><\/a><\/div>
\"Church
Church of St. John the Theologue in Ohrid (North Macedonia), view from the south-west, photograph from 1923<\/figcaption><\/figure><\/a><\/div>
\"Church
Church of St. German in the village of German on Mala Prespa (North Macedonia), layout plan and section, photograph of the church from 1923<\/figcaption><\/figure><\/a><\/div>
\"Originally
Originally a church, from 1693 a mosque in Ulcinj (Montenegro), a photograph from 1935<\/figcaption><\/figure><\/a><\/div>
\"Mosque
Mosque in Ulcinj (Montenegro), front view<\/figcaption><\/figure><\/a><\/div>
\"Mosque
Mosque in Ulcinj (Montenegro), layout plan<\/figcaption><\/figure><\/a><\/div>
\"Mosque
Mosque in Ulcinj (Montenegro), longitudinal section<\/figcaption><\/figure><\/a><\/div>
\"Mosque
Mosque in Ulcinj (Montenegro), ornamentation in wood<\/figcaption><\/figure><\/a><\/div>
\"A
A fragment of a city street from Prizren (Kosovo), overlooking the mosque, photograph from around 1930<\/figcaption><\/figure><\/a><\/div>
\"Konak
Konak Rauf-beg D\u017eini\u0107 in Gjilan (Kosovo), facade segment, photograph from the early 1930s<\/figcaption><\/figure><\/a><\/div>
\"Fragment
Fragment of the street of the Old Town of Ulcinj (Montenegro), photograph from 1935<\/figcaption><\/figure><\/a><\/div>
\"Turkish
Turkish house in Bakar (Rijeka, Croatia), photo from the early 1930s<\/figcaption><\/figure><\/a><\/div>
\"Palace
Palace \"Sko\u010dibuha\" on Boninovo in Dubrovnik (Croatia). Recorded during the expedition around 1930<\/figcaption><\/figure><\/a><\/div>
\"City
City Fortress in the Old Town of Ulcinj (Montenegro), photo from 1935<\/figcaption><\/figure><\/a><\/div>
\"City
City Fortress in the Old Town of Ulcinj (Montenegro), photo from 1935<\/figcaption><\/figure><\/a><\/div>
\"Jajce
Jajce (Bosnia and Herzegovina), photograph from the 1930s<\/figcaption><\/figure><\/a><\/div>
\"Water
Water mill on the Pliva (Bosnia and Herzegovina), photograph from the 1930s<\/figcaption><\/figure><\/a><\/div>
\"Jajce
Jajce (Bosnia and Herzegovina), panorama, photograph from the 1930s<\/figcaption><\/figure><\/a><\/div>
\"Jajce
Jajce (Bosnia and Herzegovina), photograph from the 1930s<\/figcaption><\/figure><\/a><\/div>
\"De\u010dani
De\u010dani Monastery (Kosovo), beginning of the 14th century, drawing of the western and eastern facades<\/figcaption><\/figure><\/a><\/div>
\"De\u010dani
De\u010dani Monastery (Kosovo), cross sections<\/figcaption><\/figure><\/a><\/div>
\"De\u010dani
De\u010dani Monastery (Kosovo), drawing of entrance portals<\/figcaption><\/figure><\/a><\/div>
\"Zmajevic
Zmajevic Palace in Perast (Montenegro), facade facing the sea<\/figcaption><\/figure><\/a><\/div>
\"Grgurin
Grgurin Palace in Kotor (Montenegro), side facade<\/figcaption><\/figure><\/a><\/div>
\"The
The upper row of houses in the settlement of Verona in Prcanj (Montenegro), the floor plan of the second floor<\/figcaption><\/figure><\/a><\/div>
\"Mazarevi\u0107
Mazarevi\u0107 Palace in Perast (Montenegro), main facade<\/figcaption><\/figure><\/a><\/div>
\"Bujovi\u0107
Bujovi\u0107 Palace in Perast (Montenegro), facade towards Risan<\/figcaption><\/figure><\/a><\/div>
\"Lower
Lower row of houses by the sea in Pr\u010danj (Montenegro)<\/figcaption><\/figure><\/a><\/div>
\"Zmajevic
Zmajevic Palace in Perast, (Montenegro) balcony and portal on the side facade, second floor<\/figcaption><\/figure><\/a><\/div>
\"Pima
Pima Palace in Kotor (Montenegro), well (walled up)<\/figcaption><\/figure><\/a><\/div>
\"Parish
Parish church in Pr\u010danj (Montenegro), baptistery with fresco \"Baptism of Jesus in Jordan\" by Milo Milunovi\u0107, photograph from 1923<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): Durmitor, Vjetrenica (Montenegro) and Zlatibor (Srbija)<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): \u010cajni\u010de (BiH), Bijelo Polje (Montenegro)<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): Balkan residential architecture (houses with a hipped roof)<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): Ohrid, (North Macedonia) urban profane architecture<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): Kru\u0161evo (North Macedonia), Prizren (Kosovo) panoramas<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): Ohrid, Kru\u0161evo (North Macedonia) town houses<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): Konak Rauf-beg D\u017eini\u0107a, Gjilan (Kosovo)<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): Balkan-Ottoman Architecture in Belgrade<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): log cabin churches in Serbia<\/figcaption><\/figure><\/a><\/div>
\"Jugoslaviens
Jugoslaviens Balkanische Holzarchitekturen (1940): Monastery of St. Jovan Bigorski, on the slopes of Mount Bistra in Northern Macedonia<\/figcaption><\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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Sources<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201e\u0421\u0442\u0430\u0440\u0435 \u0446\u0440\u043a\u0432\u0435 \u0443 \u043e\u0431\u043b\u0430\u0441\u0442\u0438 \u041f\u0440\u0435\u0441\u043f\u0435 \u0438 \u041e\u0445\u0440\u0438\u0434\u0430 (Old churches in the area of Prespa and Ohrid)\u201d, \u0421\u0442\u0430\u0440\u0438\u043d\u0430\u0440<\/em> (Belgrade), Iss. III (1925), 115-149.<\/a><\/p>\n

\u201eSistematizacija zapadnog dela kotorske obale (Systematization of the western part of the Kotor coast)\u201d (reprinted from \u201eGlasa Boke\u201d), Pomorski Lloyd<\/em>, Vol. II, No. 5 (1936), 1-3.<\/a><\/p>\n

\u201eProblem unutra\u0161njeg zaliva Boke Kotorske (The problem of the inner bay of the Bay of Kotor)\u201d, Pomorski Lloyd: stru\u010dni \u010dasopis za sve grane pomorstva<\/em> (Belgrade), Vol. I, (Nov.- Dec. 1935), 4-5.<\/a><\/p>\n

\u201eO gra\u0111enju na Primorju (About building on the coast)\u201d, Pomorski Lloyd<\/em>, Vol. II, No. 8 (1936), 4-5., God. II, Br. 8 (1936), 4-5.<\/p>\n

\u201e\u0413\u0440\u0430\u0434\u0430\u0447\u043a\u0430 \u0446\u0440\u043a\u0432\u0430, \u0437\u0430\u0434\u0443\u0436\u0431\u0438\u043d\u0430 \u043a\u0440\u0430\u0459\u0438\u0446\u0435 \u0408\u0435\u043b\u0435\u043d\u0435 (Gradac Church, endowment of Queen Jelena)\u201d, \u0413\u043b\u0430\u0441\u043d\u0438\u043a \u0421\u043a\u043e\u043f\u0441\u043a\u043e\u0433 \u043d\u0430\u0443\u0447\u043d\u043e\u0433 \u0434\u0440\u0443\u0448\u0442\u0432\u0430<\/em> (Skopje), Vol. XV-XVI (1936), 61-80.<\/a><\/p>\n

\u201e\u041e \u0440\u0438\u043c\u0441\u043a\u043e\u043c \u0431\u0430\u0440\u043e\u043a\u0443 (About the Roman Baroque)\u201d, \u0423\u043c\u0435\u0442\u043d\u0438\u0447\u043a\u0438 \u043f\u0440\u0435\u0433\u043b\u0435\u0434<\/em> (Belgrade), Vol. I, No. 6-7 (1938), 205-207.<\/a><\/p>\n

\u201e\u0423\u0442\u0438\u0446\u0430\u0458 \u0418\u0441\u0442\u043e\u043a\u0430 \u043d\u0430 \u043d\u0430\u0448\u0443 \u0444\u043e\u043b\u043a\u043b\u043e\u0440\u043d\u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0443 (The influence of the East on our folklore architecture)\u201d, \u0423\u043c\u0435\u0442\u043d\u0438\u0447\u043a\u0438 \u043f\u0440\u0435\u0433\u043b\u0435\u0434<\/em>, Vol. III, No. 9 (1940), 261-262.<\/a><\/p>\n

Jugoslaviens Balkanische Holzarchitekturen: Bauk\u00fcnstlerische analogien zwischen Japan und der Balkanhalbinsel als Grenzgebiete Orientalisch-Asiatischer Kulturzone (mit 40 Japan-Reproduktionen, 4 Kartenskizzen, 342 Originalaufnahmen)<\/em>, Beograd, 1940. (work on a freely chosen topic sent to Tokyo at the end of September 1940, as part of an international scientific competition announced on the occasion of the 2600th anniversary of the founding of the Empire of Japan. The report on the receipt of work arrived at the beginning of 1941. The outcome of the competition remained unknown due to the outbreak of World War II. A copy of the work has been preserved in the legacy of M. Zlokovi\u0107)<\/a><\/p>\n

\u201e\u0413\u0440\u0430\u0452\u0430\u043d\u0441\u043a\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0443 \u0411\u043e\u043a\u0438 \u041a\u043e\u0442\u043e\u0440\u0441\u043a\u043e\u0458 \u0443 \u0434\u043e\u0431\u0430 \u043c\u043b\u0435\u0442\u0430\u0447\u043a\u0435 \u0432\u043b\u0430\u0441\u0442\u0438 (Civil architecture in the Bay of Kotor during the Venetian rule)\u201d, \u0421\u043f\u043e\u043c\u0435\u043d\u0438\u043a<\/em>, Vol. CIII, No. 5, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u0438\u0437\u0432\u0435\u0448\u0442\u0430\u0458\u0430 \u043e \u0438\u0441\u0442\u0440\u0430\u0436\u0438\u0432\u0430\u045a\u0438\u043c\u0430 \u0411\u043e\u043a\u0435 \u041a\u043e\u0442\u043e\u0440\u0441\u043a\u0435 I (\u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0421\u0410\u041d\u0423, 1953), 131-146.<\/a><\/p>\n

\u201eHouses and mansions\u201d (Gra\u0111anske ku\u0107e i palate u Boki \u041aotorskoj<\/em>), Jugoslavija: ilustrovani magazin <\/em>(Beograd), Sv. 8 [Montenegro], (1954), 56-58.<\/p>\n

\u201e\u0426\u0430\u0432\u0442\u0430\u0442 \u0438 \u0411\u0443\u0434\u0432\u0430 (Cavtat and Budva)\u201d, \u041f\u0440\u0435\u0433\u043b\u0435\u0434 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435<\/em>, No. 2 (1954), 43.<\/a><\/p>\n

\u201e\u041a\u0430\u043f\u0435\u0442\u0430\u043d\u0441\u043a\u0435 \u043a\u0443\u045b\u0435 \u0443 \u0411\u043e\u043a\u0438 (Captain’s houses in Boka)\u201d, \u041f\u043e\u043b\u0438\u0442\u0438\u043a\u0430, 13. 4. 1958, 19.<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Many architects, inspired by the models and ideals of classical art, and later the future leaders of the modern movement, went to the sources of ancient civilization in modern times, in search of a better understanding of the evolution of architectural forms and architectural principles that should inspire them for new possibilities of architectural development. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6919,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-6931","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nField Research - Fondacija Milan Zlokovi\u0107<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.milanzlokovic.org\/en\/research\/field-research\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Field Research - Fondacija Milan Zlokovi\u0107\" \/>\n<meta property=\"og:description\" content=\"Many architects, inspired by the models and ideals of classical art, and later the future leaders of the modern movement, went to the sources of ancient civilization in modern times, in search of a better understanding of the evolution of architectural forms and architectural principles that should inspire them for new possibilities of architectural development. 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