{"id":6941,"date":"2020-06-24T18:30:54","date_gmt":"2020-06-24T16:30:54","guid":{"rendered":"https:\/\/www.milanzlokovic.org\/milan-zlokovic\/research-on-milan-zlokovic\/"},"modified":"2024-11-18T14:13:42","modified_gmt":"2024-11-18T12:13:42","slug":"research-on-milan-zlokovic","status":"publish","type":"page","link":"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/","title":{"rendered":"Research on Milan Zlokovi\u0107"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"6941\" class=\"elementor elementor-6941 elementor-5208\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-49b58c5 e-flex e-con-boxed e-con e-parent\" data-id=\"49b58c5\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-389746b elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"389746b\" data-element_type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Research on Milan Zlokovi\u0107<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-00d3a82 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"00d3a82\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9e41841 e-flex e-con-boxed e-con e-parent\" data-id=\"9e41841\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-afbef59 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"afbef59\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>Monographic studies on the work of Milan Zlokovi\u0107<\/strong><\/p>\n<p>Blagojevi\u0107, Ljiljana. <em>Itinereri: Moderna i Mediteran. Tragovima arhitekata Nikole Dobrovi\u0107a i Milana Zlokovi\u0107a<\/em>, Slu\u017ebeni glasnik, Arhitektonski fakultet Univerziteta u Beogradu, Beograd 2015.<\/p>\n<p>\u041c\u0430\u043d\u0435\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d. <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442 \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b<\/em>, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438, \u041c\u0443\u0437\u0435\u0458 \u0441\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438 \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 1989.<\/p>\n<p>\u041f\u0430\u043d\u0438\u045b, \u0412\u0430\u045a\u0430. <em>\u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b: \u0430\u0444\u0438\u0440\u043c\u0430\u0446\u0438\u0458\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430<\/em>, \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2011.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Monographic and review articles on the work of Milan Zlokovi\u0107<\/strong><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2022\/03\/Angelina-Bankovic_Prilog-proucavanju-beogradske-arhitekture-Milana-Zlokovica.pdf\">\u0411\u0430\u043d\u043a\u043e\u0432\u0438\u045b, \u0410\u043d\u0433\u0435\u043b\u0438\u043d\u0430. \u201e\u041f\u0440\u0438\u043b\u043e\u0433 \u043f\u0440\u043e\u0443\u0447\u0430\u0432\u0430\u045a\u0443 \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430 \u0443 \u043f\u0435\u0440\u0438\u043e\u0434\u0443 \u0438\u0437\u043c\u0435\u0452\u0443 \u0434\u0432\u0430 \u0441\u0432\u0435\u0442\u0441\u043a\u0430 \u0440\u0430\u0442\u0430\u201d, <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u0443\u0440\u0431\u0430\u043d\u0438\u0437\u0430\u043c<\/em>, \u0411\u0440. 52 (2021), 27-41.<\/a><\/p>\n<p><a href=\"http:\/\/saj.rs\/wp-content\/uploads\/2016\/11\/SAJ-2010-01-Lj-Blagojevic.pdf\" target=\"_blank\" rel=\"noopener\">Blagojevi\u0107, Ljiljana. \u201eFervet opus: Milan Zlokovi\u0107 and architecture of the city\u201d, <em>Serbian <\/em>Architectural<em> Journal<\/em>, God. 2, Br. 2 (2010), 7-18.<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/1A_Modernism_of_Scarcity_Architect_Milan_Zl.pdf\" target=\"_blank\" rel=\"noopener\">Blagojevi\u0107, Ljiljana. \u201eModernism of Scarcity: Architect Milan Zlokovi\u0107 and Debates on Industrialization of Construction in the 1950s and 1960s\u201d, u: Pier Luigi Bassignana (Ed.), Le <em>Culture della Tecnica<\/em>. La prefabbricazione, No. 27 (2016), 85-100. <\/a><\/p>\n<p><a href=\"http:\/\/iaus.ac.rs\/upload\/download\/arhitektura_i_urbanizam\/AU%2005.pdf\" target=\"_blank\" rel=\"noopener\">\u0411\u043b\u0430\u0433\u043e\u0458\u0435\u0432\u0438\u045b, \u0409\u0438\u0459\u0430\u043d\u0430. \u201e\u0420\u0430\u0443\u043c\u043f\u043b\u0430\u043d \u0443 \u043f\u043e\u0440\u043e\u0434\u0438\u0447\u043d\u0438\u043c \u043a\u0443\u045b\u0430\u043c\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0430 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430: \u0438\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0458\u0430 \u0438 \u0440\u0435\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u0458\u0430 \u0438\u0437\u0432\u043e\u0440\u043d\u043e\u0433 \u043a\u043e\u043d\u0446\u0435\u043f\u0442\u0430\u201d, <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 <\/em><em>\u0438<\/em><em> \u0443\u0440\u0431\u0430\u043d\u0438\u0437\u0430\u043c<\/em>, \u0413\u043e\u0434. 5, \u0411\u0440. 5 (1998), 43-55.\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/iaus.ac.rs\/upload\/download\/arhitektura_i_urbanizam\/AU%2032.pdf\" target=\"_blank\" rel=\"noopener\">\u0411\u043b\u0430\u0433\u043e\u0458\u0435\u0432\u0438\u045b, \u0409\u0438\u0459\u0430\u043d\u0430. \u201e\u0422\u0440\u0430\u043d\u0441\u043a\u0443\u043b\u0442\u0443\u0440\u0430\u043b\u043d\u0438 \u0438\u0442\u0438\u043d\u0435\u0440\u0435\u0440\u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0430 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430\u201d, <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u0443\u0440\u0431\u0430\u043d\u0438\u0437\u0430\u043c<\/em>, \u0411\u0440. 32 (2011), 3-15.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/scindeks-clanci.ceon.rs\/data\/pdf\/0354-6055\/2012\/0354-60551234003B.pdf\" target=\"_blank\" rel=\"noopener\">\u0411\u043b\u0430\u0433\u043e\u0458\u0435\u0432\u0438\u045b, \u0409\u0438\u0459\u0430\u043d\u0430. \u201eT\u0440\u0430\u043d\u0441\u043f\u043e\u0437\u0438\u0446\u0438\u0458\u0430 \u0434\u0443\u0445\u0430 \u0438 \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0430 \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u043e-\u043c\u0435\u0434\u0438\u0442\u0435\u0440\u0430\u043d\u0441\u043a\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 \u0443 \u0440\u0430\u043d\u0438\u043c \u043f\u0440\u043e\u0458\u0435\u043a\u0442\u0438\u043c\u0430 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430\u201d, <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u0443\u0440\u0431\u0430\u043d\u0438\u0437\u0430\u043c<\/em>, \u0411\u0440. 34 (2012), 3-13.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.cambridge.org\/core\/journals\/arq-architectural-research-quarterly\/article\/beauty-of-production-module-and-its-social-significance\/0AC79021F50950EF7404F18FDAD4B76E\" target=\"_blank\" rel=\"noopener\">Blagojevi\u0107, Ljiljana, Milinkovi\u0107, Marija. \u201eThe beauty of production: module and its social significance\u201d, <em>Architectural Research Quarterly<\/em>, No. 17, Cambridge, 2013, 53-268.\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/www.docomomo-serbia.org\/biblioteka\/arhitektura-urbanizam-22\/\" target=\"_blank\" rel=\"noopener\">Bogdanovi\u0107, Bogdan. \u201ePovodom dodeljivanja nagrade za \u017eivotno delo Milanu Zlokovi\u0107u\u201d, <em>Arhitektura \u2013 urbanizam<\/em>, Br. 22-23 (1963), 105-106.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2024\/01\/Aleksa-Ciganovic_Savremeno-na-nasledju.pdf\" target=\"_blank\" rel=\"noopener\">\u0426\u0438\u0433\u0430\u043d\u043e\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430. \u201e\u0421\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u043e \u0443 \u043d\u0430\u0441\u043b\u0435\u0452\u0443: \u0435\u043a\u0441\u043f\u0435\u0440\u0438\u043c\u0435\u043d\u0442\u0430\u043b\u043d\u0438 \u043c\u043e\u0434\u0435\u043b\u0438 \u0440\u0435\u0432\u0438\u0442\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u0458\u0435 \u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0443 \u0432\u0438\u043b\u0435 \u041c\u043e\u0437\u0435\u0440 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0435 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430\u201c [\u043f\u0440\u0438\u043a\u0430\u0437 \u0438\u0437\u043b\u043e\u0436\u0431\u0435], <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u0443\u0440\u0431\u0430\u043d\u0438\u0437\u0430\u043c<\/em>, \u0411\u0440. 57 (2023), 59\u201361.<\/a><\/p>\n<p>\u0110ur\u0111evi\u0107, Marina. \u201eLikovi srpskih arhitekata: Milan Zlokovi\u0107 (1898-1965)\u201d, <em>IT Novine<\/em>, 14. 11. 1988, 20.<\/p>\n<p>\u0110ur\u0111evi\u0107, Marina. \u201eMilan Zlokovi\u0107\u201d, <em>Moment<\/em>, Br. 11-12 (1988), 89-94.<\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/Marina-Djordjevic_Hipotekarna-banka-u-Sarajevu.pdf\" target=\"_blank\" rel=\"noopener\">\u0402\u0443\u0440\u0452\u0435\u0432\u0438\u045b, \u041c\u0430\u0440\u0438\u043d\u0430. \u201e\u0417\u0433\u0440\u0430\u0434\u0430 \u0445\u0438\u043f\u043e\u0442\u0435\u043a\u0430\u0440\u043d\u0435 \u0431\u0430\u043d\u043a\u0435 \u0443 \u0421\u0430\u0440\u0430\u0458\u0435\u0432\u0443\u201d, <em>\u0417\u0431\u043e\u0440\u043d\u0438\u043a \u0437\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443 \u0411\u043e\u0441\u043d\u0435 \u0438 \u0425\u0435\u0440\u0446\u0435\u0433\u043e\u0432\u0438\u043d\u0435<\/em>, \u0411\u0440. 2 (1997), 297-304.<\/a><\/p>\n<p><a href=\"http:\/\/www.mgb.org.rs\/images\/godisnjaci\/1991-XXXVIII\/145-168Godisnjak%20grada%20Beograda%201991.pdf\" target=\"_blank\" rel=\"noopener\">\u0402\u0443\u0440\u0452\u0435\u0432\u0438\u045b, \u041c\u0430\u0440\u0438\u043d\u0430. \u201e\u0416\u0438\u0432\u043e\u0442 \u0438 \u0434\u0435\u043b\u043e \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0435 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430 (1898-1965)\u201d, <em>\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em>, \u041a\u045a. XXXVIII (1991), 145-168.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.scribd.com\/document\/401381416\/Phlogiston-25\" target=\"_blank\" rel=\"noopener\">\u0110or\u0111evi\u0107, Zorana, Mitrovi\u0107, Minja. \u201eIdentity of 20<sup>th<\/sup> Century Architecture in Yugoslavia: the Contribution of Milan Zlokovi\u0107\u201d, <em>\u0424\u043b\u043e\u0433\u0438\u0441\u0442\u043e\u043d <\/em><em>(<\/em><em>Phlogiston<\/em><em>)<\/em><em>: \u0447\u0430\u0441\u043e\u043f\u0438\u0441 \u0437\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443 \u043d\u0430\u0443\u043a\u0435<\/em>, \u0411\u0440. 25 (2017), 103-127.<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2024\/11\/Identity_of_20th_Century_Architecture_in.pdf\" target=\"_blank\" rel=\"noopener\">\u0110or\u0111evi\u0107, Zorana, Marjanovi\u0107, Minja, \u201eIdentity of 20th Century Architecture in Yugoslavia: The Contribution of Milan Zlokovi\u0107\u201d,\u00a0<em>\u041a\u0443\u043b\u0442\u0443\u0440\u0430\/Culture<\/em>, No. 14 (2016), 154-167.<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/12\/Kadijevic_Delovanje-Milana-Zlokovica-na-Primorju.pdf\">Kadijevi\u0107, Aleksandar. \u201eArhitektonski opus Milana Zlokovi\u0107a u Hrvatskoj izme\u0111u dva svjetska rata\u201c, <em>Prostor: znanstveni \u010dasopis za arhitekturu i urbanizam<\/em>, Vol. 28, Br. 2\/60 (2020), 284-299.<\/a><\/p>\n<p><a href=\"http:\/\/www.mgb.org.rs\/images\/godisnjaci\/GodisnjakXLVII-XLVIII\/212-224GodisnjakXLVII-XLVIII2000-2001.pdf\" target=\"_blank\" rel=\"noopener\">\u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440. \u201e\u041f\u0440\u0438\u043b\u043e\u0433 \u0442\u0443\u043c\u0430\u0447\u0435\u045a\u0443 \u043e\u043f\u0443\u0441\u0430 \u0438\u0441\u0442\u0430\u043a\u043d\u0443\u0442\u0438\u0445 \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0438\u0445 \u0433\u0440\u0430\u0434\u0438\u0442\u0435\u0459\u0430: \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b \u0438 \u0442\u0440\u0430\u0436\u0435\u045a\u0435 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u043e\u0433 \u0441\u0442\u0438\u043b\u0430 \u0443 \u0441\u0440\u043f\u0441\u043a\u043e\u0458 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438\u201d, <em>\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em>, \u041a\u045a. XLVII-XLVIII (2000-2001), 213-224.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/1_Kovacevic_Uporedna-analiza-motiva-oberlihta.pdf\" target=\"_blank\" rel=\"noopener\">K\u043e\u0432\u0430\u0447\u0435\u0432\u0438\u045b, \u0411\u043e\u0458\u0430\u043d. \u201e\u0423\u043f\u043e\u0440\u0435\u0434\u043d\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u043c\u043e\u0442\u0438\u0432\u0430 \u043e\u0431\u0435\u0440\u043b\u0438\u0445\u0442\u0430 \u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0435\u0432\u043e\u0458 \u0434\u0435\u0447\u0458\u043e\u0458 \u043a\u043b\u0438\u043d\u0438\u0446\u0438 \u0438 \u043d\u0430 \u0414\u043e\u0431\u0440\u043e\u0432\u0438\u045b\u0435\u0432\u043e\u043c \u0433\u0435\u043d\u0435\u0440\u0430\u043b\u0448\u0442\u0430\u0431\u0443\u201d, <em>\u0421\u0430\u043e\u043f\u0448\u0442\u0435\u045a\u0435 \u043f\u043e\u0434\u043d\u0435\u0442\u043e \u043d\u0430 \u0441\u043a\u0443\u043f\u0443 \u043e\u0434\u0440\u0436\u0430\u043d\u043e\u043c \u043f\u043e\u0432\u043e\u0434\u043e\u043c \u0421\u0442\u043e\u0433\u043e\u0434\u0438\u0448\u045a\u0438\u0446\u0435 \u0440\u043e\u0452\u0435\u045a\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0435 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430, 1. \u0434\u0435\u0446\u0435\u043c\u0431\u0440\u0430 1999. \u043d\u0430 \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u043c \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0443 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443<\/em><\/a><\/p>\n<p>\u041b\u043e\u0458\u0430\u043d\u0438\u0446\u0430, \u041c\u0438\u043b\u0430\u043d. \u201e\u0423 \u0432\u0440\u0445\u0443 \u0435\u0432\u0440\u043e\u043f\u0441\u043a\u043e\u0433 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430: \u0443\u0437 \u0441\u0442\u043e\u0433\u043e\u0434\u0438\u0448\u045a\u0438\u0446\u0443 \u0440\u043e\u0452\u0435\u045a\u0430: \u0430\u0440\u0445. \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u201d, <em>\u041f\u043e\u043b\u0438\u0442\u0438\u043a\u0430<\/em>, 26. \u0458\u0443\u043d 1999, 18.<\/p>\n<p><a href=\"http:\/\/www.docomomo-serbia.org\/biblioteka\/komunikacija-55\/\" target=\"_blank\" rel=\"noopener\">Manevi\u0107, Zoran. \u201eBeogradske ku\u0107e. Milan Zlokovi\u0107 (1933, 1936-1939): de\u010dija klinika\u201d, Komunikacija, Br. 55 (1986), 12.\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/www.docomomo-serbia.org\/biblioteka\/komunikacija-53\/\" target=\"_blank\" rel=\"noopener\">Manevi\u0107, Zoran. \u201eBeogradske ku\u0107e. Milan Zlokovi\u0107 (1898-1965): ku\u0107a arhitekte u ulici Internacionalnih brigada\u201d, <em>Komunikacija<\/em>, Br. 53 (1986), 24.\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/www.docomomo-serbia.org\/biblioteka\/komunikacija-56\/\" target=\"_blank\" rel=\"noopener\">Manevi\u0107, Zoran. \u201eBeogradske ku\u0107e. Milan Zlokovi\u0107 (1939-1940): zgrada \u201eJugoauta\u201c na Bulevaru JNA\u201d, Komunikacija, Br. 56 (1987), 12.\u00a0<\/a><\/p>\n<p>Manevi\u0107, Zoran. \u201eMilan Zlokovi\u0107\u201d, <em>Umetnos<\/em>t, Br. 59 (1978), 41-50.<\/p>\n<p>Manevi\u0107, Zoran. \u201eNa\u0161i neimari 2 \u2013 Milan Zlokovi\u0107\u201d, <em>Izgradnja<\/em>, Br. 7 (1980), 45-51.<\/p>\n<p><a href=\"http:\/\/www.mgb.org.rs\/images\/godisnjaci\/GodisnjakXXIII\/287-298GodisnjakXXIII-1976.pdf\" target=\"_blank\" rel=\"noopener\">\u041c\u0430\u043d\u0435\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d \u201e\u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0435\u0432 \u043f\u0443\u0442 \u0443 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u0430\u043c\u201d, <em>\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em>, \u041a\u045a. XXIII (1976), 287-298.\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/saj.rs\/wp-content\/uploads\/2016\/11\/SAJ-2010-01-M-Marjanovic.pdf\" target=\"_blank\" rel=\"noopener\">Marjanovi\u0107, Minja. \u201eMilan Zlokovi\u0107 and the Problem of Proportions in Architecture\u201d, <em>SAJ: Serbian architectural journal<\/em>, God. 2, Br. 1 (2010), 65-92.\u00a0<\/a><\/p>\n<p>\u041c\u0430\u0440\u0442\u0438\u043d\u043e\u0432\u0438\u045b, \u0423\u0440\u043e\u0448. In memoriam: \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442 \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b, <em>\u041f\u043e\u043b\u0438\u0442\u0438\u043a<\/em>\u0430, 6. \u0458\u0443\u043d 1965, 4.<\/p>\n<p><a href=\"http:\/\/bibliotekahercegnovi.co.me\/bibliotekaold\/PDF\/Boka_23\/boka_23_281.pdf\" target=\"_blank\" rel=\"noopener\">Maskareli, Draginja. \u201eGraditeljsko nasle\u0111e Boke Kotorske u tekstovima Milana Zlokovi\u0107a\u201d, <em>\u0411<\/em><em>\u043e\u043a\u0430<\/em><em>: \u0437\u0431\u043e\u0440\u043d\u0438\u043a \u0440\u0430\u0434\u043e\u0432\u0430 \u0438\u0437 \u043d\u0430\u0443\u043a\u0435, \u043a\u0443\u043b\u0442\u0443\u0440\u0435 \u0438 \u0443\u043c\u0458\u0435\u0442\u043d\u043e\u0441\u0442\u0438, <\/em>\u0411\u0440. 23 (2003), 281-289.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2024\/01\/Dragana-Mecanov_Modul-u-arhitektonskom-projektovanju-teorija-Milana-Zlokovica-.pdf\" target=\"_blank\" rel=\"noopener\">\u041c\u0435\u0446\u0430\u043d\u043e\u0432, \u0414\u0440\u0430\u0433\u0430\u043d\u0430. \u201e\u041c\u043e\u0434\u0443\u043b \u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u043c \u043f\u0440\u043e\u0458\u0435\u043a\u0442\u043e\u0432\u0430\u045a\u0443: \u0442\u0435\u043e\u0440\u0438\u0458\u0430 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430 \u0438 \u043c\u043e\u0433\u0443\u045b\u043d\u043e\u0441\u0442 \u043f\u0440\u0438\u043c\u0435\u043d\u0435 \u0443 \u0441\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u043e\u0458 \u043f\u0440\u0430\u043a\u0441\u0438 \u043a\u0440\u043e\u0437 \u0441\u0442\u0443\u0434\u0438\u0458\u0443 \u0441\u043b\u0443\u0447\u0430\u0458\u0430\u201c, \u0443: \u041c\u0430\u0440\u0438\u043d\u0430 \u041f\u0430\u0432\u043b\u043e\u0432\u0438\u045b, \u0420\u0430\u0434\u0435 \u041c\u0440\u0459\u0435\u0448 (\u0443\u0440.), <em>\u0417\u0430\u0448\u0442\u0438\u0442\u0430 \u0433\u0440\u0430\u0434\u0438\u0442\u0435\u0459\u0441\u043a\u043e\u0433 \u043d\u0430\u0441\u043b\u0435\u0452\u0430 \u0443 21. \u0432\u0435\u043a\u0443 \u2013 \u0438\u0437\u0430\u0437\u043e\u0432\u0438 \u0438 \u043c\u043e\u0433\u0443\u045b\u043d\u043e\u0441\u0442\u0438<\/em>. XII \u041c\u0435\u0452\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u0430 \u043d\u0430\u0443\u0447\u043d\u043e \u0441\u0442\u0440\u0443\u0447\u043d\u0430 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0458\u0430. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0417\u0430\u0432\u043e\u0434 \u0437\u0430 \u0437\u0430\u0448\u0442\u0438\u0442\u0443 \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0435 \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430, 2023, 38\u201350.<\/a><\/p>\n<p><a href=\"https:\/\/scindeks-clanci.ceon.rs\/data\/pdf\/0354-6055\/2002\/0354-60550209062M.pdf\" target=\"_blank\" rel=\"noopener\">\u041c\u0438\u043b\u0430\u0448\u0438\u043d\u043e\u0432\u0438\u045b \u041c\u0430\u0440\u0438\u045b, \u0414\u0438\u0458\u0430\u043d\u0430. \u201e\u0421\u0440\u043f\u0441\u043a\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430 \u043e \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0438 \u041c\u0438\u043b\u0430\u043d\u0443 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0443\u201d, <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u0443\u0440\u0431\u0430\u043d\u0438\u0437\u0430\u043c<\/em>, \u0411\u0440. 9 (2002), 62-69.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/2_Milenkovic_Milan-Zlokovic.pdf\" target=\"_blank\" rel=\"noopener\">Milenkovi\u0107, Branislav. \u201eMilan Zlokovi\u0107\u201d, u: <em>U\u010ditelji<\/em>, Eparhijska radionica, Beograd, 2011, 49-61.\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/raf.arh.bg.ac.rs\/bitstream\/id\/1171\/SAJ-2010-01-M-Milinkovic.pdf\" target=\"_blank\" rel=\"noopener\">Milinkovi\u0107, Marija. \u201eSetting the Distance: Theoretical Practice of Milan Zlokovi\u0107 and its Material Corollaries\u201d, <em>SAJ: Serbian architectural journal<\/em>, God. 2, Br. 1 (2010), 17-42.\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/www.docomomo-serbia.org\/biblioteka\/arhitektura-urbanizam-35\/\" target=\"_blank\" rel=\"noopener\">Mini\u0107, Oliver. \u201eIn memoriam: Milan Zlokovi\u0107, umetnik i nau\u010dnik (1898-1965)\u201d, <em>Arhitektura \u2013 urbanizam<\/em>, Br. 35-36 (1965), 77-78.<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2024\/11\/MITROVIC-2018_Zlokovics-Understandings-of-Reciprocal-Concatenation.pdf\" target=\"_blank\" rel=\"noopener\">Mitrovi\u0107, Minja, \u0110or\u0111evi\u0107, Zorana, \u201eZlokovi\u0107\u2019s Understandings of Reciprocal Concatenation\u201d,\u00a0<em>Nexus Network Journal: Architecture and Mathematics<\/em>, No. 20 (2018), 187\u2013213.<\/a><\/p>\n<p><a href=\"http:\/\/raf.arh.bg.ac.rs\/bitstream\/handle\/123456789\/474\/SAJ-2010-01-V-Panic.pdf?sequence=1&amp;isAllowed=y\" target=\"_blank\" rel=\"noopener\">Pani\u0107, Vanja. \u201ePublic Buildings of Architect Milan Zlokovic \u2013 Affirmation of Modern Architecture in Serbia\u201d, <em>SAJ: Serbian architectural journal<\/em>, God. 2, Br. 1 (2010), 43-64.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/08\/MZ_Milan-Zlokovic_teoreticar-projektovanja.pdf\" target=\"_blank\" rel=\"noopener\"><span lang=\"SR-CYRL-RS\">\u0421\u0442\u043e\u0458\u0430\u0434\u0438\u043d\u043e\u0432\u0438\u045b, \u0411\u043e\u0436\u0430. <\/span><span lang=\"HR\">\u201e<\/span><span lang=\"SR-CYRL-RS\">\u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b \u2013 \u0442\u0435\u043e\u0440\u0435\u0442\u0438\u0447\u0430\u0440 \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0458\u0430\u201d, <i>\u0412\u0435\u0447\u0435\u0440\u045a\u0435 \u043d\u043e\u0432\u043e\u0441\u0442\u0438<\/i><\/span><span lang=\"SR-LATN-RS\">, 1. <\/span><span lang=\"SR-CYRL-RS\">\u043d\u043e\u0432\u0435\u043c\u0431\u0430\u0440 1954. \u0433\u043e\u0434\u0438\u043d\u0435, 5.<\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/8A_Stradner_Stilska-bliskost-dva-stambena-objekta-Brasovana-i-Zlokovica.pdf\" target=\"_blank\" rel=\"noopener\">Stradner, Katarina. \u201eStilska bliskost dva stambena objekta u Beogradu arhitekata Dragi\u0161e Bra\u0161ovana i Milana Zlokovi\u0107a\u201d, <em>Artum: istorijsko-umetni\u010dki \u010dasopis<\/em>, Br. 2 (2015), 62-67.<\/a><\/p>\n<p><a href=\"http:\/\/www.docomomo-serbia.org\/biblioteka\/urbanizam-beograda-48\/\" target=\"_blank\" rel=\"noopener\">Pavlovi\u0107, Mom\u010dilo. \u201e\u017divot i delo arhitekte Milana Zlokovi\u0107a\u201d, <em>Urbanizam Beograda<\/em>, Br. 48 (1978), 23-31.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/3_Puriz-Zafirovski_Proporcijska-analiza-u-tekstovima-MZ.pdf\" target=\"_blank\" rel=\"noopener\">\u041f\u0443\u0440\u0438\u045b-\u0417\u0430\u0444\u0438\u0440\u043e\u0441\u043a\u0438, \u0422\u0430\u0442\u0458\u0430\u043d\u0430. \u201e\u041f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0458\u0441\u043a\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u0443 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0438\u043c\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0435 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430 (1946-1965)\u201d, <em>\u0424\u043b\u043e\u0433\u0438\u0441\u0442\u043e\u043d (Phlogiston): \u0447\u0430\u0441\u043e\u043f\u0438\u0441 \u0437\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443 \u043d\u0430\u0443\u043a\u0435<\/em>, \u0413\u043e\u0434. 7, \u0411\u0440. 11 (2001), 129-150.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/4_Ril_Bard-srpskog-ekspresionizma.pdf\" target=\"_blank\" rel=\"noopener\">\u0420\u0438\u043b, \u0418\u0433\u043e\u0440. \u201e\u0411\u0430\u0440\u0434 \u0441\u0440\u043f\u0441\u043a\u043e\u0433 \u0435\u043a\u0441\u043f\u0440\u0435\u0441\u0438\u043e\u043d\u0438\u0437\u043c\u0430\u201d, <em>\u0412\u0440\u0430\u0447\u0430\u0440\u0441\u043a\u0438 \u0433\u043b\u0430\u0441\u043d\u0438\u043a<\/em>, \u0411\u0440. 16 (1993), 16-17.<\/a><\/p>\n<p>\u0422\u0443\u0446\u0438\u045b, \u0425\u0430\u0458\u043d\u0430. <em>\u041a\u0443\u045b\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0435 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434<\/em>, \u0417\u0430\u0432\u043e\u0434 \u0437\u0430 \u0437\u0430\u0448\u0442\u0438\u0442\u0443 \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0435 \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2019.<\/p>\n<p><a href=\"http:\/\/saj.rs\/wp-content\/uploads\/2016\/11\/SAJ-2010-01-Dj-Zlokovic.pdf\" target=\"_blank\" rel=\"noopener\">Zlokovi\u0107, \u0110or\u0111e. \u201eMilan Zlokovi\u0107: observations from proximity\u201d, <em>SAJ: Serbian architectural journal<\/em>, God. 2, Br. 1 (2010), 1-6.\u00a0<\/a><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Lexico-encyclopedic units about Milan Zlokovi\u0107<\/strong><\/p>\n<p>Bogunovi\u0107, Gi\u0161a Slobodan, \u201eMilan Zlokovi\u0107\u201d, u: <em>Arhitektonska enciklopedija Beograda XIX i XX veka<\/em>, Tom II \u2013 Arhitekti, Beogradska knjiga, Beograd, 2005, 1141-1150.<\/p>\n<p>\u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440. \u201e\u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b, \u041c\u0438\u043b\u0430\u043d\u201c, u: \u0427\u0435\u0434\u043e\u043c\u0438\u0440 \u041f\u043e\u043f\u043e\u0432 (\u0443\u0440.), <em>\u0421\u0440\u043f\u0441\u043a\u0438 \u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438 \u0440\u0435\u0447\u043d\u0438\u043a<\/em>. \u0422\u043e\u043c III (\u0414-\u0417), \u041c\u0430\u0442\u0438\u0446\u0430 \u0441\u0440\u043f\u0441\u043a\u0430, \u041d\u043e\u0432\u0438 \u0421\u0430\u0434, 2007, 898-899.<\/p>\n<p>\u041c\u0430\u043a\u043e, \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440, \u041b\u0430\u0437\u043e\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d (\u043f\u0440\u0438\u0440.). <em>170 \u043b\u0438\u0447\u043d\u043e\u0441\u0442\u0438 \u0437\u0430 170 \u0433\u043e\u0434\u0438\u043d\u0430 \u0432\u0438\u0441\u043e\u043a\u043e\u0448\u043a\u043e\u043b\u0441\u043a\u0435 \u043d\u0430\u0441\u0442\u0430\u0432\u0435 \u0443 \u0421\u0440\u0431\u0438\u0458\u0438<\/em>, \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2016, 58-59.<\/p>\n<p>\u041c\u0430\u043d\u0435\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d. \u201e\u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b, \u041c\u0438\u043b\u0430\u043d\u201c, u: <em>\u041b\u0435\u043a\u0441\u0438\u043a\u043e\u043d \u043d\u0435\u0438\u043c\u0430\u0440\u0430<\/em>, \u0413\u0440\u0430\u0452\u0435\u0432\u0438\u043d\u0441\u043a\u0430 \u043a\u045a\u0438\u0433\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2008, 137-153.<\/p>\n<p>\u041c\u0430\u043d\u0435\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d, \u201e\u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u201d, \u0443: <em>\u041b\u0435\u043a\u0441\u0438\u043a\u043e\u043d \u0441\u0440\u043f\u0441\u043a\u0438\u0445 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 19. \u0438 20. \u0432\u0435\u043a\u0430<\/em>, \u0413\u0440\u0430\u0452\u0435\u0432\u0438\u043d\u0441\u043a\u0430 \u043a\u045a\u0438\u0433\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 1999, 65-69.<\/p>\n<p>Maldini, Slobodan, <em>Istorija srpske umetnosti: XVIII-XXI vek<\/em>, Knjiga komerc, Beograd, 2018, 98-173, 178, 182-183, 198, 206, 271, 274-275, 281-284, 286-287, 296, 298-301, 305-307, 449-453, 458, 464, 701.<\/p>\n<p>Mini\u0107, Oliver. \u201eZlokovi\u0107, Milan\u201c, u: Miroslav Krle\u017ea (ur.), <em>Enciklopedija likovnih umetnosti<\/em>, Tom IV, Jugoslovenski leksikografski zavod, Zagreb, 1966, 639-640.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Monographs, scientific, review and professional articles that include the work of Milan Zlokovi\u0107<\/strong><\/p>\n<p>Anonim, \u201ePozvani konkurs za Op\u0161tu bolnicu u Nik\u0161i\u0107u\u201d, <em>\u010covjek i prostor<\/em>, Br. 5 (1954), 8.<\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2021\/01\/AU-51_2020_Antesevic-Babic_Poetike-likovnih-radova.pdf\">\u0410\u043d\u0442\u0435\u0448\u0435\u0432\u0438\u045b, \u041d\u0435\u0431\u043e\u0458\u0448\u0430, \u0411\u0430\u0431\u0438\u045b, \u0413\u043e\u0440\u0430\u043d. \u201e\u0421\u0442\u0432\u0430\u0440\u0430\u043b\u0430\u0447\u043a\u0435 \u043f\u043e\u0435\u0442\u0438\u043a\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u0438 \u0441\u043b\u0438\u043a\u0430\u0440\u0430 \u043a\u0440\u043e\u0437 \u043c\u043e\u0442\u0438\u0432\u0435 \u043b\u0438\u043a\u043e\u0432\u043d\u0438\u0445 \u0440\u0430\u0434\u043e\u0432\u0430 \u0443 \u0447\u0430\u0441\u043e\u043f\u0438\u0441\u0443 \u0446\u0440\u0442\u0435\u0436\u0438 \u043e\u0434 1956. \u0434\u043e 1965. \u0433\u043e\u0434\u0438\u043d\u0435\u201d, <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u0443\u0440\u0431\u0430\u043d\u0438\u0437\u0430\u043c<\/em>, \u0411\u0440. 51 (2020), 7-19.<\/a><\/p>\n<p><a href=\"https:\/\/mpu.rs\/zbornik\/pdf\/zbornik_15\/8.pdf\" target=\"_blank\" rel=\"noopener\">\u0411\u0430\u0431\u0438\u045b, \u0413\u043e\u0440\u0430\u043d, \u0410\u043d\u0442\u0435\u0448\u0435\u0432\u0438\u045b, \u041d\u0435\u0431\u043e\u0458\u0448\u0430. \u201e\u0427\u0430\u0441\u043e\u043f\u0438\u0441 \u0426\u0440\u0442\u0435\u0436\u0438 (1956-1965): \u0437\u043d\u0430\u0447\u0430\u0458 \u0437\u0430 \u0430\u0444\u0438\u0440\u043c\u0430\u0446\u0438\u0458\u0443 \u043b\u0438\u043a\u043e\u0432\u043d\u043e\u0433 \u0438\u0437\u0440\u0430\u0436\u0430\u0432\u0430\u045a\u0430 \u043a\u043e\u0434 \u043d\u0430\u0441\u0442\u0430\u0432\u043d\u0438\u043a\u0430 \u0438 \u0441\u0442\u0443\u0434\u0435\u043d\u0430\u0442\u0430 \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u0433 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0430 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443\u201d, <em>\u0417\u0431\u043e\u0440\u043d\u0438\u043a \u041c\u0443\u0437\u0435\u0458\u0430 \u043f\u0440\u0438\u043c\u0435\u045a\u0435\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443<\/em>, \u0411\u0440. 15 (2019), 46-56.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/2A_Architectural_Intelligence_and_Scarcity-.pdf\" target=\"_blank\" rel=\"noopener\">Blagojevi\u0107, Ljiljana. \u201eArchitectural Intelligence and Scarcity-Driven Design in the 1960s Yugoslavia\u201d, u: \u00c1kos Morav\u00e1nszky, Karl R. Kegler (Ed.), <em>Re-Scaling the Environment: New Landscapes of Design, 1960-1980<\/em>, Vol. 2, Birkh\u00e4user, Basel, 2017, 199-213. <\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/3A_French_Architectural_Departures_and_its.pdf\" target=\"_blank\" rel=\"noopener\">Blagojevi\u0107, Ljiljana. \u201eFrench Architectural Departures and its Returns: Belgrade Chic, Balkan Mission, Montenegro Praxis\u201d, u: Tamara Bja\u017ei\u0107 Klarin, Ljiljana Kole\u0161nik (Ed.), <em>French Artistic Culture and Interwar Central East Europe<\/em>, Institute of Art History, Zagreb, 2017, 186-193. <\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/4A_Moderna_arhitektura_Beograda_u_osvit_Dru.pdf\" target=\"_blank\" rel=\"noopener\">Blagojevi\u0107, Ljiljana. \u201eModerna arhitektura Beograda u osvit Drugog svetskog rata: sajam, stadion, logor\u201d, u: Mi\u0161ko \u0160uvakovi\u0107 (Ed.), <em>Istorija umetnosti u Srbiji XX vek<\/em>. <em>Tom 2. Realizmi i modernizmi oko hladnog rata<\/em>, Orion Art, Beograd, 2012, 113-128. <\/a><\/p>\n<p>Blagojevi\u0107, Ljiljana. <em>Moderna ku\u0107a u Beogradu (1920-1941)<\/em>, Zadu\u017ebina Andrejevi\u0107, Beograd, 2000.<\/p>\n<p>Blagojevi\u0107, Ljiljana. <em>Modernism in Serbia: the elusive margins of Belgrade architecture 1919-1941<\/em>, MIT press, Cambridge, Mass., 2003.<\/p>\n<p><a href=\"http:\/\/www.mgb.org.rs\/images\/godisnjaci\/GodisnjakXLV-XLVI\/172-194GodisnjakXLV-XLVI1998-99.pdf\" target=\"_blank\" rel=\"noopener\">\u0411\u043b\u0430\u0433\u043e\u0458\u0435\u0432\u0438\u045b, \u0409\u0438\u0459\u0430\u043d\u0430. \u201e\u041f\u043e\u0440\u043e\u0434\u0438\u0447\u043d\u0430 \u043a\u0443\u045b\u0430 \u0443 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0458 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430 \u0443 \u043f\u0435\u0440\u0438\u043e\u0434\u0443 \u0438\u0437\u043c\u0435\u0452\u0443 \u0434\u0432\u0430 \u0441\u0432\u0435\u0442\u0441\u043a\u0430 \u0440\u0430\u0442\u0430 (\u041a\u0440\u0438\u0442\u0438\u0447\u043a\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u0447\u0435\u0442\u0438\u0440\u0438 \u0430\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u0458\u0441\u043a\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0430)<span lang=\"SR-CYRL-RS\">\u201d,\u00a0<\/span><i><span lang=\"SR-CYRL-RS\">\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/span><\/i><span lang=\"SR-CYRL-RS\">, \u041a\u045a. XLV-XLVI (1998-1999), 173-194.<\/span><\/a><\/p>\n<p><a href=\"http:\/\/beogradskonasledje.rs\/wp-content\/uploads\/2013\/nasledje6\/10-milica-ceranic.pdf\" target=\"_blank\" rel=\"noopener\">\u0426\u0435\u0440\u0430\u043d\u0438\u045b, \u041c\u0438\u043b\u0438\u0446\u0430. \u201e\u0418\u0441\u0442\u043e\u0440\u0438\u0458\u0430 \u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u043f\u0430\u043b\u0430\u0442\u0435 \u00bb\u0410\u043b\u0431\u0430\u043d\u0438\u0458\u0430\u00ab \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443\u201d, <em>\u041d\u0430\u0441\u043b\u0435\u0452\u0435<\/em>, \u0411\u0440. VI (2005), 147-162.<\/a><\/p>\n<p>\u0110ur\u0111evi\u0107, Marina. \u201e\u0160ezdeset godina od osnivanja Grupe arhitekata modernog pravca\u201d, <em>Moment<\/em>, Br. 13 (1989), 86-87.<\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/5_Ignjatovic_BALKAN_CAPITALS_FROM_THE_19th_TO_THE_21s-pages-1-359-64127-128189.pdf\" target=\"_blank\" rel=\"noopener\">Ignjatovi\u0107, Aleksandar. \u201eConstructing the capital of Yugoslavism: The Identity of Belgrade Architecture, 1904-1941\u201d, Helen Fessas-Emmanouil (Eds.), <em>B<\/em><em>alkan capitals<\/em> <em>from the 19<sup>th<\/sup> to the 21<sup>st <\/sup>century<\/em><em> \u2013 <\/em><em>urban planning and the modern architectural heritage<\/em>, Academy of Athens Bureau of Architectural Research, Athens, 2006, 58-63, 126-127.<\/a><\/p>\n<p><a href=\"http:\/\/www.mgb.org.rs\/images\/godisnjaci\/GodisnjakLVIII\/GodisnjakLVIII-170-203.pdf\" target=\"_blank\" rel=\"noopener\">\u0418\u043b\u0438\u0458\u0435\u0432\u0441\u043a\u0438, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u0430. \u201e\u0402\u0443\u0440\u0452\u0435 \u0411\u043e\u0448\u043a\u043e\u0432\u0438\u045b \u043a\u0430\u043e \u0441\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u0438\u043a \u0438 \u0442\u0443\u043c\u0430\u0447 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430 \u0438\u0437\u043c\u0435\u0452\u0443 \u0434\u0432\u0430 \u0441\u0432\u0435\u0442\u0441\u043a\u0430 \u0440\u0430\u0442\u0430\u201c, <em>\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em>, \u041a\u045a. LVIII (2011), 171-203.<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/5A_The_Cvijeta_Zuzoric_Art_Pavilion_as_the.pdf\" target=\"_blank\" rel=\"noopener\">Ilijevski, Aleksandra. \u201eThe Cvijeta Zuzori\u0107 Art Pavilion as the center for exhibition activities of Belgrade architects 1928\u20131933\u201c, <em>\u0417\u0431\u043e\u0440\u043d\u0438\u043a \u041c\u0430\u0442\u0438\u0446\u0435 \u0441\u0440\u043f\u0441\u043a\u0435 \u0437\u0430 \u043b\u0438\u043a\u043e\u0432\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438<\/em>, \u0411\u0440. 41 (2013), 237-248.<\/a><\/p>\n<p>\u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045b, \u041c\u0438\u043e\u0434\u0440\u0430\u0433. <em>\u0421\u0440\u043f\u0441\u043a\u043e \u0446\u0440\u043a\u0432\u0435\u043d\u043e \u0433\u0440\u0430\u0434\u0438\u0442\u0435\u0459\u0441\u0442\u0432\u043e \u0438 \u0441\u043b\u0438\u043a\u0430\u0440\u0441\u0442\u0432\u043e \u043d\u043e\u0432\u0438\u0458\u0435\u0433 \u0434\u043e\u0431\u0430<\/em>. \u0414\u0440\u0443\u0433\u043e \u0438\u0437\u0434\u0430\u045a\u0435, \u0417\u0430\u0432\u043e\u0434 \u0437\u0430 \u0443\u045f\u0431\u0435\u043d\u0438\u043a\u0435, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2007, 195-197, 204.<\/p>\n<p>\u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045b, \u041c\u0438\u043e\u0434\u0440\u0430\u0433<em>. \u0425\u0440\u0430\u043c \u0421\u0432\u0435\u0442\u043e\u0433 \u0421\u0430\u0432\u0435 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443<\/em>, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2007, 40, 63.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/37813867\/Between_unitarism_and_regionalisms_Architecture_in_Yugoslavia_1918-1941_in_Architecture_of_independence_in_Central_Europe_Architektura_niepodleg\u0142o\u015bci_w_Europie_\u015arodkowej_International_cultural_centre_Krakow_2018_248-274\" target=\"_blank\" rel=\"noopener\">Kadijevi\u0107, Aleksandar. \u201eBetween unitarism and regionalisms: Architecture in Yugoslavia 1918-1941\u201d, u: <em>Architecture of\u00a0 independence in Central Europe \/ Architektura niepodleg\u0142o\u015bci w Europie \u015arodkowe<\/em>, Krakow: International Cultural Centre 2018, 248-274. <\/a><\/p>\n<p>Kadijevi\u0107, Aleksandar. \u201eElementi ekspresionizma u srpskoj arhitekturi izme\u0111u dva svetska rata\u201d, <em>Moment<\/em>, Br. 17 (1990), 90-100.<\/p>\n<p><a href=\"http:\/\/beogradskonasledje.rs\/wp-content\/uploads\/2012\/11\/4-aleksandar-kadijevic.pdf\" target=\"_blank\" rel=\"noopener\">\u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440. \u201e\u0415\u043a\u0441\u043f\u0440\u0435\u0441\u0438\u043e\u043d\u0438\u0437\u0430\u043c \u0443 \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u043e\u0458 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438 (1918-1941)\u201d, <em>\u041d\u0430\u0441\u043b\u0435\u0452\u0435<\/em>, \u0411\u0440. XIII (2012), 59-77.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/6A_Kadijevic_Interpolacije-u-BG-arhitekturi_ZMSLU_43.pdf\" target=\"_blank\" rel=\"noopener\">Kadijevi\u0107, Aleksandar. \u201eInterpolations \u2013 necessity and inspiration of newer Belgrade architecture\u201d, <em>\u0417\u0431\u043e\u0440\u043d\u0438\u043a \u041c\u0430\u0442\u0438\u0446\u0435 \u0441\u0440\u043f\u0441\u043a\u0435 \u0437\u0430 \u043b\u0438\u043a\u043e\u0432\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438<\/em>, \u0411\u0440. 43 (2015), 243-257. <\/a><\/p>\n<p>\u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440. <em>\u0408\u0435\u0434\u0430\u043d \u0432\u0435\u043a \u0442\u0440\u0430\u0436\u0435\u045a\u0430 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u043e\u0433 \u0441\u0442\u0438\u043b\u0430 \u0443 \u0441\u0440\u043f\u0441\u043a\u043e\u0458 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438 (\u0441\u0440\u0435\u0434\u0438\u043d\u0430 XIX &#8211; \u0441\u0440\u0435\u0434\u0438\u043d\u0430 XX \u0432\u0435\u043a\u0430)<\/em>, \u0413\u0440\u0430\u0452\u0435\u0432\u0438\u043d\u0441\u043a\u0430 \u043a\u045a\u0438\u0433\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 1997.<\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2024\/01\/Kadijevic_-Znacaj-Fondacije-Milan-Zlokovic-u-Jugoslovenska-arhitektura-izmedju-dva-svetska-rata.pdf\" target=\"_blank\" rel=\"noopener\">\u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440. <em>\u0408\u0443\u0433\u043e\u0441\u043b\u043e\u0432\u0435\u043d\u0441\u043a\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438\u0437\u043c\u0435\u0452\u0443 \u0434\u0432\u0430 \u0441\u0432\u0435\u0442\u0441\u043a\u0430 \u0440\u0430\u0442\u0430 (1918\u20131941): \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0438 \u0442\u0443\u043c\u0430\u0447\u0435\u045a\u0430<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, \u0424\u0438\u043b\u043e\u0437\u043e\u0444\u0441\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442, 2023.<\/a><\/p>\n<p><a href=\"http:\/\/www.doiserbia.nb.rs\/img\/doi\/0350-1361\/2019\/0350-13611943215K.pdf\" target=\"_blank\" rel=\"noopener\">\u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440. \u201e\u0421\u0432\u0435\u0442\u0430 \u0421\u043e\u0444\u0438\u0458\u0430 \u0443 \u0426\u0430\u0440\u0438\u0433\u0440\u0430\u0434\u0443 \u043a\u0430\u043e \u0443\u0437\u043e\u0440 \u0441\u0440\u043f\u0441\u043a\u0438\u0445 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u043d\u043e\u0432\u0438\u0458\u0435\u0433 \u0434\u043e\u0431\u0430\u201d, <em>\u0417\u041e\u0413\u0420\u0410\u0424<\/em>, \u0411\u0440. 43 (2019), 215\u2013230. <\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/6_Kadijevic_Slobodan-crtez-u-novijoj-i-savremenoj-arh.pdf\" target=\"_blank\" rel=\"noopener\">Kadijevi\u0107, Aleksandar. \u201eSlobodan crte\u017e u novijoj i savremenoj srpskoj arhitekturi\u201d, <em>Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu <\/em>15 (2019), 7-21.<\/a><\/p>\n<p><a href=\"http:\/\/www.mgb.org.rs\/images\/godisnjaci\/GodisnjakLV-LVI\/Godisnjak55-56(2008-2009)-239-264.pdf\" target=\"_blank\" rel=\"noopener\">\u041a\u0430\u043c\u0438\u043b\u0438\u045b, \u0412\u0438\u043a\u0442\u043e\u0440\u0438\u0458\u0430. \u201e\u041e\u0441\u0432\u0440\u0442 \u043d\u0430 \u0434\u0435\u043b\u0430\u0442\u043d\u043e\u0441\u0442 \u0413\u0440\u0443\u043f\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0433 \u043f\u0440\u0430\u0432\u0446\u0430\u201d, <em>\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em>, \u041a\u045a. LV-LVI (2008-2009), 239-264.\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/7_Kovacevic_Arhitektura-moderne-u-Srbiji.pdf\" target=\"_blank\" rel=\"noopener\">K\u043e\u0432\u0430\u0447\u0435\u0432\u0438\u045b, \u0411\u043e\u0458\u0430\u043d. \u201e\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u0435 \u0443 \u0421\u0440\u0431\u0438\u0458\u0438\u201d, <em>\u041f\u0440\u0435\u0434\u0430\u0432\u0430\u045a\u0435 \u043f\u0440\u043e\u0447\u0438\u0442\u0430\u043d\u043e \u0443 \u041f\u0430\u0432\u0438\u0459\u043e\u043d\u0443 \u0412\u0435\u0459\u043a\u043e\u0432\u0438\u045b \u0443 \u0441\u0443\u0431\u043e\u0442\u0443 28. \u0458\u0443\u043b\u0430 2001. \u0433\u043e\u0434\u0438\u043d\u0435 \u0443 \u0441\u043a\u043b\u043e\u043f\u0443 \u0432\u0438\u0448\u0435\u043c\u0435\u0441\u0435\u0447\u043d\u043e\u0433 \u0446\u0438\u043b\u0443\u0441\u0430 \u043e \u0443\u043b\u043e\u0437\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0441\u0442\u0438 \u0443 \u0441\u0440\u043f\u0441\u043a\u043e\u043c \u0434\u0440\u0443\u0448\u0442\u0432\u0443 \u0425\u0425 \u0432\u0435\u043a\u0430, \u043f\u043e\u0442\u043e\u043c \u043e\u0431\u0458\u0430\u0432\u0459\u0435\u043d\u043e \u0438 \u0443 \u043f\u0440\u0435\u0432\u043e\u0434\u0443 \u043d\u0430 \u0435\u043d\u0433\u043b\u0435\u0441\u043a\u0438 \u0443 \u043d\u043e\u0432\u0438\u043d\u0441\u043a\u043e\u0458 \u043f\u0443\u0431\u043b\u0438\u043a\u0446\u0438\u0458\u0438 \u043e \u0446\u0438\u043a\u043b\u0443\u0441\u0443<\/em><\/a><\/p>\n<p>Mambriani, Alberto. <em>L&#8217;architettura moderna nei paesi Balcanici<\/em>, Cappelli, Bologna, 1969.<\/p>\n<p><a href=\"http:\/\/www.mgb.org.rs\/images\/godisnjaci\/GodisnjakXXVI\/209-226GGBXXVI1979.pdf\" target=\"_blank\" rel=\"noopener\">\u041c\u0430\u043d\u0435\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d. \u201e\u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u0430\u043c 1929\u20131931\u201d, <em>\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em>, \u041a\u045a. XXVI (1979), 209\u2013226. <\/a><\/p>\n<p><a href=\"http:\/\/www.docomomo-serbia.org\/biblioteka\/urbanizam-beograda-53-54-prilog-9\/\" target=\"_blank\" rel=\"noopener\">Manevi\u0107, Zoran. \u201eJu\u010dera\u0161nje graditeljstvo\u201d, <em>Urbanizam<\/em>, Br. 53-54 (1979), I-XXXI <\/a><\/p>\n<p>Manevi\u0107, Zoran. \u201eNovija srpska arhitektura\u201d, u: <em>Srpska arhitektura 1900-1970<\/em>, Muzej savremene umetnosti, Beograd, 1972, 21-25, 28, 55, 71-75, 96, 102, 141-142.<\/p>\n<p>Manevi\u0107, Zoran. \u201eSrpska arhitektura XX veka\u201d, u: <em>Arhitektura XX vijeka<\/em>, Prosveta, Beograd, Spektar, Zagreb, Prva knji\u017eevna komuna, Mostar 1986, 19-31.<\/p>\n<p>Martinovi\u0107, Uro\u0161. <em>Moderna Beograda: arhitektura Srbije izme\u0111u dva rata<\/em>, Nau\u010dna knjiga, Beograd, 1969.<\/p>\n<p>\u041c\u0438\u043b\u0435\u0442\u0438\u045b \u0410\u0431\u0440\u0430\u043c\u043e\u0432\u0438\u045b, \u0409\u0438\u0459\u0430\u043d\u0430. <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430<\/em> <em>\u0440\u0435\u0437\u0438\u0434\u0435\u043d\u0446\u0438\u0458\u0430<\/em> <em>\u0438<\/em> <em>\u0432\u0438\u043b\u0430<\/em> <em>\u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em><em> 1830-2000<\/em>, \u041a\u0430\u0440\u0438\u045b \u0444\u043e\u043d\u0434\u0430\u0446\u0438\u0458\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 184-193, 381.<\/p>\n<p>\u041c\u0438\u043b\u043e\u0448\u0435\u0432\u0438\u045b, \u0412. \u041f\u0440\u0435\u0434\u0440\u0430\u0433. <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430<\/em> <em>\u0443<\/em> <em>\u041a\u0440\u0430\u0459\u0435\u0432\u0438\u043d\u0438<\/em> <em>\u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0438<\/em><em> (<\/em><em>\u0421\u0430\u0440\u0430\u0458\u0435\u0432\u043e<\/em><em> 1918-1941)<\/em>, \u0421\u041f\u041a\u0414 \u041f\u0440\u043e\u0441\u0432\u0458\u0435\u0442\u0430, \u0421\u0440\u0431\u0438\u045a\u0435, 1997, 75-79, 165-166, 168, 317-318.<\/p>\n<p>\u041f\u0435\u0442\u0440\u0438\u0447\u0438\u045b, \u0411\u0440\u0430\u043d\u043a\u043e. \u201eK\u043e\u043d\u043a\u0443\u0440\u0441 \u0437\u0430 \u0437\u0433\u0440\u0430\u0434\u0443 \u043a\u043e\u043d\u0446\u0435\u0440\u0442\u043d\u0435 \u0434\u0432\u043e\u0440\u0430\u043d\u0435 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443\u201d, <em>\u0422\u0435\u0445\u043d\u0438\u043a\u0430<\/em> \u0411\u0440. 4, (1949), 193-197.<\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/8_Prosen_Reljefi-Sretena-Stojanovica-u-replici-Ar-Dekoa.pdf\" target=\"_blank\" rel=\"noopener\">\u041f\u0440\u043e\u0441\u0435\u043d, \u041c\u0438\u043b\u0430\u043d. \u201e\u0420\u0435\u0459\u0435\u0444\u0438 \u0421\u0440\u0435\u0442\u0435\u043d\u0430 \u0421\u0442\u043e\u0458\u0430\u043d\u043e\u0432\u0438\u045b\u0430 \u0443 \u0440\u0435\u0446\u0435\u043f\u0446\u0438\u0458\u0438 \u0441\u0442\u0438\u043b\u0430 \u0410\u0440 \u0414\u0435\u043a\u043e \u0443 \u0441\u0440\u043f\u0441\u043a\u043e\u0458 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438\u201d, <em>\u0417\u0431\u043e\u0440\u043d\u0438\u043a \u041d\u0430\u0440\u043e\u0434\u043d\u043e\u0433 \u043c\u0443\u0437\u0435\u0458\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443<\/em>, \u0418\u0441\u0442\u043e\u0440\u0438\u0458\u0430 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438, \u041a\u045a. XXIII (2018), 217\u2013243.<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/9_Putnik_Prica_Kadijevic_Tabakovici.pdf\" target=\"_blank\" rel=\"noopener\">\u041f\u0443\u0442\u043d\u0438\u043a \u041f\u0440\u0438\u0446\u0430, \u0412\u043b\u0430\u0434\u0430\u043d\u0430, \u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440. \u201e\u0422\u0430\u0431\u0430\u043a\u043e\u0432\u0438\u045b\u0438 \u0438 \u043f\u043e\u0440\u043e\u0434\u0438\u0446\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u0443 \u0421\u0440\u0431\u0438\u0458\u0438\u201d, \u0443: \u041b\u0438\u0434\u0438\u0458\u0430 \u041c\u0435\u0440\u0435\u043d\u0438\u043a, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440 \u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b (\u0443\u0440.), <em>\u0418\u0432\u0430\u043d \u0438 \u0402\u043e\u0440\u0452\u0435 \u0422\u0430\u0431\u0430\u043a\u043e\u0432\u0438\u045b \u2013\u0433\u0440\u0430\u0434\u0438\u0442\u0435\u0459\u0438 \u0441\u0440\u043f\u0441\u043a\u0435 \u043a\u0443\u043b\u0442\u0443\u0440\u0435 XX \u0432\u0435\u043a\u0430<\/em>, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u0440\u0430\u0434\u043e\u0432\u0430 \u0441\u0430 \u043d\u0430\u0443\u0447\u043d\u043e\u0433 \u0441\u043a\u0443\u043f\u0430 \u043e\u0434\u0440\u0436\u0430\u043d\u043e\u0433 7. \u043d\u043e\u0432\u0435\u043c\u0431\u0440\u0430 2017. \u0433\u043e\u0434\u0438\u043d\u0435 \u0443 \u041c\u0430\u0442\u0438\u0446\u0438 \u0441\u0440\u043f\u0441\u043a\u043e\u0458, \u041c\u0430\u0442\u0438\u0446\u0430 \u0441\u0440\u043f\u0441\u043a\u0430, \u041d\u043e\u0432\u0438 \u0421\u0430\u0434, 2018, 199-208.<\/a><\/p>\n<p>Rozi\u0107, Vladimir. <em>Umetni\u010dka grupa Oblik<\/em>, Kancelarija za pridru\u017eivanje Srbije i Crne Gore Evropskoj uniju, Beograd, 2005, 164, 220.<\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/06\/10_Toseva_Fond-odseka-arhitekture-u-MNT.pdf\" target=\"_blank\" rel=\"noopener\">\u0422\u043e\u0448\u0435\u0432\u0430, \u0421\u043d\u0435\u0436\u0430\u043d\u0430. \u201e\u0424\u043e\u043d\u0434 \u041e\u0434\u0441\u0435\u043a\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 \u0438 \u0433\u0440\u0430\u0434\u0438\u0442\u0435\u0459\u0441\u0442\u0432\u0430 \u041c\u0443\u0437\u0435\u0458\u0430 \u043d\u0430\u0443\u043a\u0435 \u0438 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443 \u2013 \u043f\u043e\u043b\u0430\u0437\u0438\u0448\u0442\u0435 \u0437\u0430 \u043d\u0430\u0443\u0447\u043d\u043e \u0438\u0441\u0442\u0440\u0430\u0436\u0438\u0432\u0430\u045a\u0435 \u0438 \u0437\u0430\u0448\u0442\u0438\u0442\u0443 \u0433\u0440\u0430\u0434\u0438\u0442\u0435\u0459\u0441\u043a\u043e\u0433 \u043d\u0430\u0441\u043b\u0435\u0452\u0430\u201d, <em>\u0413\u043b\u0430\u0441\u043d\u0438\u043a \u0434\u0440\u0443\u0448\u0442\u0432\u0430 \u043a\u043e\u043d\u0437\u0435\u0440\u0432\u0430\u0442\u043e\u0440\u0430 \u0421\u0440\u0431\u0438\u0458\u0435<\/em>, \u0411\u0440. 40 (2016), 18-28.<\/a><\/p>\n<p>\u0160kunca, Sr\u0111an. \u201e Planiranje i izgradnja radni\u010dkog naselja Brodogradili\u0161ta 3. maj i Tvornice motora Aleksandar Rankovi\u0107 na Zametu u Rijeci, 1947.-1952. \u201d, <em>VI. Me\u0111unarodna konferencija o industrijskoj ba\u0161tini: \u010covjek i industrija, s naglaskom na povijesno iskustvo o \u010dovjeku u industriji<\/em>, Rijeka 24. i 25. 4. 2014. godine, Zborniku radova, 565-584.<\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2021\/01\/Zunjic_AA10.pdf\"><span style=\"font-size: 1rem;\">\u017dunji\u0107, Sla\u0111ana. \u201eArhitektonski objekti i urbana geneza Kotora izme\u0111u dva svjetska rata\u201d, <em>Ars Adriatica<\/em>, Br. 10 (2020), 189-208.<\/span><\/a><\/p>\n<p><strong>Manuals and review monographs in the field of architecture and architectural historiography<\/strong><\/p>\n<p>\u0411\u0440\u043a\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0435\u0458.\u00a0<em>\u0417\u043d\u0430\u043a\u043e\u0432\u0438 \u0443 \u043a\u0430\u043c\u0435\u043d\u0443<\/em><em>. \u0421<\/em><em>\u0440\u043f\u0441\u043a<\/em><em>\u0430<\/em><em>\u00a0\u043c\u043e\u0434\u0435\u0440\u043d<\/em><em>\u0430<\/em><em>\u00a0\u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 1930-1980<\/em>, \u0421\u0430\u0432\u0435\u0437 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u0421\u0440\u0431\u0438\u0458\u0435, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 1992, 57, 59, 60, 66, 67-70, 76, 89, 100, 103, 104, 106-112, 117, 124, 130.<\/p>\n<p>Mila\u0161inovi\u0107 Mari\u0107, Dijana. <em>\u0412\u043e\u0434\u0438\u0447 \u043a\u0440\u043e\u0437 \u043c\u043e\u0434\u0435\u0440\u043d\u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em>, \u0414\u0440\u0443\u0448\u0442\u0432\u043e \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2002, 60, 61, 86, 99, 100, 115.<\/p>\n<p>Mitrovi\u0107, Mihajlo.\u00a0<em>Novija arhitektura Beograda 1950-2012<\/em>, Slu\u017ebeni glasnik, Beograd, 2012, 16-17.<\/p>\n<p>Perovi\u0107, Milo\u0161.\u00a0<em>Srpka arhitektura XX veka: od istoricizma do drugog modernizma<\/em>, \u0410rhitektonski fakultet, Beograd, 2003, 84-85, 107, 109-120.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Doctoral dissertations and master theses<\/strong><\/p>\n<p>\u0410\u043d\u0442\u0435\u0448\u0435\u0432\u0438\u045b, \u041d\u0435\u0431\u043e\u0458\u0448\u0430. <em>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0445 \u0442\u0443\u0440\u0438\u0441\u0442\u0438\u0447\u043a\u0438\u0445 \u043e\u0431\u0458\u0435\u043a\u0430\u0442\u0430 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435 (1930-1985)<\/em>, \u0434\u043e\u043a\u0442\u043e\u0440\u0441\u043a\u0430 \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0458\u0430 \u043e\u0434\u0431\u0440\u0430\u045a\u0435\u043d\u0430 \u043d\u0430 \u0424\u0438\u043b\u043e\u0437\u043e\u0444\u0441\u043a\u043e\u043c \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0443 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, 2022.<\/p>\n<p>\u0411\u0430\u043d\u043a\u043e\u0432\u0438\u045b, \u0410\u043d\u0433\u0435\u043b\u0438\u043d\u0430. <em>\u041e\u0434 \u043f\u0440\u0438\u0432\u0430\u0442\u043d\u0435 \u0437\u0430\u043e\u0441\u0442\u0430\u0432\u0448\u0442\u0438\u043d\u0435 \u0434\u043e \u043c\u0443\u0437\u0435\u0458\u0441\u043a\u0435 \u0437\u0431\u0438\u0440\u043a\u0435: \u043f\u0440\u043e\u0431\u043b\u0435\u043c \u043c\u0443\u0437\u0435\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u0458\u0435 \u043b\u0435\u0433\u0430\u0442\u0430 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430 \u0443 \u041c\u0443\u0437\u0435\u0458\u0443 \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430<\/em>, \u0434\u043e\u043a\u0442\u043e\u0440\u0441\u043a\u0430 \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0458\u0430 \u043e\u0434\u0431\u0440\u0430\u045a\u0435\u043d\u0430 \u043d\u0430 \u0424\u0438\u043b\u043e\u0437\u043e\u0444\u0441\u043a\u043e\u043c \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0443 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, 2021.<\/p>\n<p>Manevi\u0107, Zoran. <em>Pojava moderne arhitekture u Srbiji, <\/em>doktorska disertacija odbranjena na Odeljenju za istoriju umetnosti Filozofskog fakulteta u Beogradu, 1979.<\/p>\n<p><a href=\"https:\/\/www.politesi.polimi.it\/handle\/10589\/68101\" target=\"_blank\" rel=\"noopener\">Marjanovi\u0107, Minja, <em>Milan Zlokovi\u0107 e il problema delle proporzioni nell<\/em><em>\u2019<\/em><em>architettura moderna del Novecento, <\/em>doktorska disertacija odbranjena na Departmanu za arhitekturu Politehni\u010dke \u0161kole u Milanu (Politechnico de Milano), 2012.<\/a><\/p>\n<p><a href=\"http:\/\/eteze.bg.ac.rs\/application\/showtheses?thesesId=399\" target=\"_blank\" rel=\"noopener\">\u041c\u0438\u043b\u0438\u043d\u043a\u043e\u0432\u0438\u045b, \u041c\u0430\u0440\u0438\u0458\u0430.\u00a0<i>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0430 \u043a\u0440\u0438\u0442\u0438\u0447\u043a\u0430 \u043f\u0440\u0430\u043a\u0441\u0430: \u0442\u0435\u043e\u0440\u0438\u0458\u0441\u043a\u0438 \u043c\u043e\u0434\u0435\u043b\u0438<\/i>, \u0434\u043e\u043a\u0442\u043e\u0440\u0441\u043a\u0430\u00a0<i>\u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0458\u0430<\/i>\u00a0<wbr \/>\u043e\u0434\u0431\u0440\u0430\u045a\u0435\u043d\u0430 \u043d\u0430 \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u043c \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0443 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, 2012, 160-175.<\/a><\/p>\n<p>\u041c\u0438\u0448\u0438\u045b, \u0411\u0438\u0459\u0430\u043d\u0430. <em>\u0421\u0440\u0435\u0434\u045a\u043e\u0435\u0432\u0440\u043e\u043f\u0441\u043a\u0438 \u0443\u0442\u0438\u0446\u0430\u0458\u0438 \u043d\u0430 \u0440\u0430\u0437\u0432\u043e\u0458 \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 1919\u20131941<\/em>, \u0434\u043e\u043a\u0442\u043e\u0440\u0441\u043a\u0430 \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0458\u0430 \u043e\u0434\u0431\u0440\u0430\u045a\u0435\u043d\u0430 \u043d\u0430 \u0424\u0438\u043b\u043e\u0437\u043e\u0444\u0441\u043a\u043e\u043c \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0443 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, 2019.<\/p>\n<p><a href=\"http:\/\/eteze.bg.ac.rs\/application\/showtheses?thesesId=1647\" target=\"_blank\" rel=\"noopener\">\u041f\u0430\u043d\u0438\u045b, \u0412\u0430\u045a\u0430. <em>\u041d\u0430\u0447\u0435\u043b\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u0435 \u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438 \u0458\u0430\u0432\u043d\u0438\u0445 \u043e\u0431\u0458\u0435\u043a\u0430\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, \u043f\u0435\u0440\u0438\u043e\u0434 1918\u2013<\/em><em>1941<\/em><em>, <\/em>\u0434\u043e\u043a\u0442\u043e\u0440\u0441\u043a\u0430 \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0458\u0430 \u043e\u0434\u0431\u0440\u0430\u045a\u0435\u043d\u0430 \u043d\u0430 \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u043c \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0443 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, 2013.<\/a><\/p>\n<p>\u041f\u0443\u0440\u0438\u045b<strong>&#8211;<\/strong>\u0417\u0430\u0444\u0438\u0440\u043e\u0441\u043a\u0438, \u0422\u0430\u0442\u0458\u0430\u043d\u0430. <em>\u041f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0458\u0441\u043a\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u0443 \u0434\u0435\u043b\u0438\u043c\u0430 \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0438\u0445 \u0438\u0441\u0442\u0440\u0430\u0436\u0438\u0432\u0430\u0447\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 \u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u043f\u043e\u0441\u043b\u0435 \u0414\u0440\u0443\u0433\u043e\u0433 \u0441\u0432\u0435\u0442\u0441\u043a\u043e\u0433 \u0440\u0430\u0442\u0430<\/em>, \u043c\u0430\u0433\u0438\u0441\u0442\u0430\u0440\u0441\u043a\u0438 \u0440\u0430\u0434 \u043e\u0434\u0431\u0440\u0430\u045a\u0435\u043d \u043d\u0430 \u0424\u0438\u043b\u043e\u0437\u043e\u0444\u0441\u043a\u043e\u043c \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0443 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, 2000.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Catalogs of exhibitions<\/strong><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2023\/06\/MILAN-ZLOKOVIC-I-FOTOGRAFIJA_katalog.pdf\"><span lang=\"sr-Cyrl\">\u0410\u043d\u0442\u0435\u0448\u0435\u0432\u0438\u045b<\/span>,\u00a0<span lang=\"sr-Cyrl\">\u041d\u0435\u0431\u043e\u0458\u0448\u0430<\/span>.\u00a0<i><span lang=\"sr-Cyrl\">\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442 \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b \u0438 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430: \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0435 \u0440\u0435\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u0458\u0435 \u043e\u0434 1924. \u0434\u043e 1941. \u0433\u043e\u0434\u0438\u043d\u0435<\/span><\/i>, \u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u0438\u0437\u043b\u043e\u0436\u0431\u0435, \u0417\u0430\u0432\u043e\u0434 \u0437\u0430 \u0437\u0430\u0448\u0442\u0438\u0442\u0443 \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0435 \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 20<span lang=\"sr-Cyrl\">23<\/span>.<\/a><\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2024\/09\/Zlokovic-i-Vojvodina_katalog_2023.pdf\" target=\"_blank\" rel=\"noopener\">\u0410\u043d\u0442\u0435\u0448\u0435\u0432\u0438\u045b, \u041d\u0435\u0431\u043e\u0458\u0448\u0430, \u0418\u043b\u0438\u0458\u0430 \u0413\u0443\u0431\u0438\u045b.\u00a0<i>\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442 \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b \u0438 \u0412\u043e\u0458\u0432\u043e\u0434\u0438\u043d\u0430: \u043d\u0435\u0440\u0435\u0430\u043b\u0438\u0437\u043e\u0432\u0430\u043d\u0438 \u043f\u0440\u043e\u0458\u0435\u043a\u0442\u0438 \u043e\u0434 1928. \u0434\u043e 1960. \u0433\u043e\u0434\u0438\u043d\u0435, \u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u0438\u0437\u043b\u043e\u0436\u0431\u0435<\/i>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0420\u0435\u043f\u0443\u0431\u043b\u0438\u0447\u043a\u0438 \u0437\u0430\u0432\u043e\u0434 \u0437\u0430 \u0437\u0430\u0448\u0442\u0438\u0442\u0443 \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0435: \u0424\u043e\u043d\u0434\u0430\u0446\u0438\u0458\u0430 \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b, 2023.<\/a><\/p>\n<p>\u0411\u043b\u0430\u0433\u043e\u0458\u0435\u0432\u0438\u045b, \u0409\u0438\u0459\u0430\u043d\u0430, \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b, \u0402\u043e\u0440\u0452\u0435. <em>\u041f\u0440\u043e\u0444\u0435\u0441\u043e\u0440 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442 \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b (1898-1965): \u0441\u0432\u0435\u0447\u0430\u043d\u043e\u0441\u0442 \u043f\u043e\u0432\u043e\u0434\u043e\u043c \u043e\u0431\u0435\u043b\u0435\u0436\u0430\u0432\u0430\u045a\u0430 50 \u0433\u043e\u0434\u0438\u043d\u0430 \u043e\u0434 \u0441\u043c\u0440\u0442\u0438<\/em>, \u041f\u0440\u043e\u0433\u0440\u0430\u043c \u0438 \u043a\u0430\u0442\u0430\u043b\u043e\u0433, \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2015.<\/p>\n<p><a href=\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2020\/07\/7A_Milan-Zlokovic_Dom-beogradskog-graditelja.pdf\" target=\"_blank\" rel=\"noopener\">\u0402\u0443\u0440\u0452\u0435\u0432\u043e\u045b, \u041c\u0430\u0440\u0438\u043d. \u201e\u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u201c, u: \u0414\u0440\u0430\u0433\u0438\u0446\u0430 \u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045b, \u041c\u0430\u0440\u0438\u043d\u0430 \u0402\u0443\u0440\u0452\u0435\u0432\u0438\u045b, \u0413\u043e\u0440\u0434\u0430\u043d\u0430 \u041c\u0438\u0442\u0440\u043e\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440 \u041a\u0430\u0434\u0438\u0458\u0435\u0432\u0438\u045b, \u0414\u0435\u0458\u0430\u043d \u0420\u0430\u0434\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045b (\u0430\u0443\u0442\u043e\u0440\u0438 \u0438\u0437\u043b\u043e\u0436\u0431\u0435), <em>\u0420\u0435\u0432\u0438\u0442\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u0458\u0430 \u043c\u0430\u043f\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438\u0445 \u0432\u0440\u0435\u0434\u043d\u043e\u0441\u0442\u0438 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430: \u0414\u043e\u043c \u0431\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0438\u0445 \u0433\u0440\u0430\u0434\u0438\u0442\u0435\u0459\u0430<\/em>, \u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u0438\u0437\u043b\u043e\u0436\u0431\u0435, \u041c\u0443\u0437\u0435\u0458 \u043f\u0440\u0438\u043c\u0435\u045a\u0435\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 1989, n. n. <\/a><\/p>\n<p>\u041c\u0438\u0445\u0430\u0458\u043b\u043e\u0432, \u0421\u0430\u0448\u0430, \u0411\u043e\u0436\u043e\u0432\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0430\u0440, \u0414\u0430\u0431\u0438\u0436\u0438\u045b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u0430, \u0422\u0443\u0446\u0438\u045b, \u0425\u0430\u0458\u043d\u0430 \u0438 \u0434\u0440. (\u0430\u0443\u0442\u043e\u0440\u0438 \u0438\u0437\u043b\u043e\u0436\u0431\u0435 \u0438 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0430), <em>\u041c\u043e\u0434\u0435\u0440\u043d\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430 \u2013 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0430 \u0431\u0430\u0448\u0442\u0438\u043d\u0430 \u043f\u0440\u0435\u0441\u0442\u043e\u043d\u0438\u0446\u0435<\/em>, \u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u0438\u0437\u043b\u043e\u0436\u0431\u0435, \u0417\u0430\u0432\u043e\u0434 \u0437\u0430 \u0437\u0430\u0448\u0442\u0438\u0442\u0443 \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0435 \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2018.<\/p>\n<p>\u041f\u0435\u0440\u043e\u0432\u0438\u045b, \u041c\u0438\u043b\u043e\u0448, \u041b\u0430\u0437\u043e\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d. <em>\u0421\u0440\u043f\u0441\u043a\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430<\/em><em> XX <\/em><em>\u0432\u0435\u043a\u0430<\/em>, \u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u0438\u0437\u043b\u043e\u0436\u0431\u0435, \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2006, 30-32, 38-41.<\/p>\n<p>\u041f\u0440\u0435\u0440\u0430\u0434\u043e\u0432\u0438\u045b, \u0414\u0443\u0431\u0440\u0430\u0432\u043a\u0430 (\u0443\u0440.), <em>\u0413\u0430\u0431\u0440\u0438\u0458\u0435\u043b \u041c\u0438\u0458\u0435<\/em> <em>\u0438 \u0438\u0441\u0442\u0440\u0430\u0436\u0438\u0432\u0430\u045a\u0430 \u0441\u0442\u0430\u0440\u0435 \u0441\u0440\u043f\u0441\u043a\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435<\/em>, \u00a0 \u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u0438\u0437\u043b\u043e\u0436\u0431\u0435, \u0421\u0440\u043f\u0441\u043a\u0430 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0458\u0430 \u043d\u0430\u0443\u043a\u0430 \u0438 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2019, 87, 89-97.<\/p>\n<p>Stiller, Adolph, Kova\u010devi\u0107, Bojan (ur.), <em>Belgrad \u2013 Momente der Architektur\/Belgrade \u2013 Moments of Architecture<\/em>, M\u00fcry Salzmann, Salzburg\u2013Wien, 2011, 26, 28, 29, 57.<\/p>\n<p>Stiller, Adolph, Kova\u010devi\u0107, Bojan (ur.), <em>Montenegro. Kontrast. Landschaft. Architektur Kontext<\/em>, M\u00fcry Salzmann, Salzburg\u2013Wien, 2013, 28-35, 76-77.<\/p>\n<p>Stiller, Adolph, Kova\u010devi\u0107, Bojan (ur.), <em>Serbien. Stadt als Regionaler Kontext f\u00fcr Architektur \/ Serbia. The City as a Regional Context for Architecture<\/em>, M\u00fcry Salzmann, Salzburg\u2013Wien, 2015, 20, 22, 23, 24, 52, 178.<\/p>\n<p>\u0422\u0443\u0446\u0438\u045b, \u0425\u0430\u0458\u043d\u0430. <em>\u0422\u0440\u0430\u0433\u043e\u0432\u0438 \u043f\u0443\u0442\u043e\u0432\u0430\u045a\u0430 \u2013 \u0430\u043a\u0432\u0430\u0440\u0435\u043b\u0438 \u041c\u0438\u043b\u0430\u043d\u0430 \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430<\/em>, \u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u0438\u0437\u043b\u043e\u0436\u0431\u0435, \u0417\u0430\u0432\u043e\u0434 \u0437\u0430 \u0437\u0430\u0448\u0442\u0438\u0442\u0443 \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0435 \u0433\u0440\u0430\u0434\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2019.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Monographic studies on the work of Milan Zlokovi\u0107 Blagojevi\u0107, Ljiljana. Itinereri: Moderna i Mediteran. Tragovima arhitekata Nikole Dobrovi\u0107a i Milana Zlokovi\u0107a, Slu\u017ebeni glasnik, Arhitektonski fakultet Univerziteta u Beogradu, Beograd 2015. \u041c\u0430\u043d\u0435\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d. \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442 \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438, \u041c\u0443\u0437\u0435\u0458 \u0441\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438 \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 1989. \u041f\u0430\u043d\u0438\u045b, \u0412\u0430\u045a\u0430. \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b: \u0430\u0444\u0438\u0440\u043c\u0430\u0446\u0438\u0458\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430, \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2011. \u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6843,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-6941","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Research on Milan Zlokovi\u0107 - Fondacija Milan Zlokovi\u0107<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Research on Milan Zlokovi\u0107 - Fondacija Milan Zlokovi\u0107\" \/>\n<meta property=\"og:description\" content=\"Monographic studies on the work of Milan Zlokovi\u0107 Blagojevi\u0107, Ljiljana. 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Tragovima arhitekata Nikole Dobrovi\u0107a i Milana Zlokovi\u0107a, Slu\u017ebeni glasnik, Arhitektonski fakultet Univerziteta u Beogradu, Beograd 2015. \u041c\u0430\u043d\u0435\u0432\u0438\u045b, \u0417\u043e\u0440\u0430\u043d. \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442 \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438, \u041c\u0443\u0437\u0435\u0458 \u0441\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438 \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 1989. \u041f\u0430\u043d\u0438\u045b, \u0412\u0430\u045a\u0430. \u041c\u0438\u043b\u0430\u043d \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b: \u0430\u0444\u0438\u0440\u043c\u0430\u0446\u0438\u0458\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430, \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2011. \u00a0 [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/\" \/>\n<meta property=\"og:site_name\" content=\"Fondacija Milan Zlokovi\u0107\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-18T12:13:42+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/\",\"url\":\"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/\",\"name\":\"Research on Milan Zlokovi\u0107 - Fondacija Milan Zlokovi\u0107\",\"isPartOf\":{\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/#website\"},\"datePublished\":\"2020-06-24T16:30:54+00:00\",\"dateModified\":\"2024-11-18T12:13:42+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Po\u010detna\",\"item\":\"https:\/\/www.milanzlokovic.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Milan Zlokovi\u0107\",\"item\":\"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Research on Milan Zlokovi\u0107\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/#website\",\"url\":\"https:\/\/www.milanzlokovic.org\/en\/\",\"name\":\"Fondacija Milan Zlokovi\u0107\",\"description\":\"Arhitekz Milan Zlokovi\u0107\",\"publisher\":{\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.milanzlokovic.org\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/#organization\",\"name\":\"Fondacija Milan Zlokovi\u0107\",\"url\":\"https:\/\/www.milanzlokovic.org\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2022\/03\/logo@2x.png\",\"contentUrl\":\"https:\/\/www.milanzlokovic.org\/wp-content\/uploads\/2022\/03\/logo@2x.png\",\"width\":398,\"height\":77,\"caption\":\"Fondacija Milan Zlokovi\u0107\"},\"image\":{\"@id\":\"https:\/\/www.milanzlokovic.org\/en\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Research on Milan Zlokovi\u0107 - Fondacija Milan Zlokovi\u0107","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.milanzlokovic.org\/en\/milan-zlokovic\/research-on-milan-zlokovic\/","og_locale":"en_US","og_type":"article","og_title":"Research on Milan Zlokovi\u0107 - Fondacija Milan Zlokovi\u0107","og_description":"Monographic studies on the work of Milan Zlokovi\u0107 Blagojevi\u0107, Ljiljana. 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