{"id":6943,"date":"2020-07-27T15:38:04","date_gmt":"2020-07-27T13:38:04","guid":{"rendered":"https:\/\/www.milanzlokovic.org\/research\/written-papers\/"},"modified":"2020-08-22T10:57:52","modified_gmt":"2020-08-22T08:57:52","slug":"written-papers","status":"publish","type":"page","link":"https:\/\/www.milanzlokovic.org\/en\/research\/written-papers\/","title":{"rendered":"Written Papers"},"content":{"rendered":"\t\t
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Written Papers<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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Zlokovi\u0107’s written works comprise a heterogeneous research in which several important topics that preoccupied his interests are recognized – the study of ancient Balkan architecture, consideration of the principles and role of modern architecture, research of modular coordination of measures through theoretical analysis of classical architecture and its application in modern architecture, presentation of own achievements in professional periodicals and various comments in the daily or weekly press on current issues of architecture and the architectural profession. In the period from 1931 to 1933, Zlokovi\u0107 was a member of the Belgrade editorial board of the Ljubljana magazine “Arhitektura”, in which he published two articles, and his paper on the modern architecture of Belgrade in the Czech magazine “Stavba” was noticed. He published in the anthologies and bulletins of the Technical, later the Faculty of Architecture, University of Belgrade, the Serbian Academy of Sciences and Arts, the Technical Faculty of the University of Skopje, the Institute of Architecture and Urbanism, the Yugoslav Construction Center and the Institute for Labor Productivity. Maritime Lloyd \u201d,\u201c Shift \u201d,\u201c Art Review \u201d,\u201c Technique \u201d,\u201c Architecture Review \u201dand\u201c Architecture – Urbanism \u201d. He had several announcements at international gatherings on modular coordination, while his extensive work on the same topic published in the Italian book Industrializzazione dell\u2019edilizia<\/em> at the very end of his life confirmed the international relevance of Zlokovi\u0107’s long-term research and affirmed him as a leading architect-scientist of the time.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Scientific and research works of Milan Zlokovi\u0107<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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\u201e\u0421\u0442\u0430\u0440\u0435 \u0446\u0440\u043a\u0432\u0435 \u0443 \u043e\u0431\u043b\u0430\u0441\u0442\u0438 \u041f\u0440\u0435\u0441\u043f\u0435 \u0438 \u041e\u0445\u0440\u0438\u0434\u0430 (Old churches in the area of Prespa and Ohrid)\u201d, \u0421\u0442\u0430\u0440\u0438\u043d\u0430\u0440<\/em> (Belgrade), Iss. III (1925), 115-149.<\/a><\/p>\n

\u201eModern\u00ed arhitektura v B\u011blehrad\u011b\u201d, Stavba: m\u011bs\u00ed\u010dn\u00edk pro stavebn\u00ed um\u011bn\u00ed<\/em> (Praha), Ro\u010dn\u00edk VII, \u010c\u00eds. 12 (1929), 182-183.<\/a><\/p>\n

\u201e\u0421\u043a\u0438\u0446\u0435 \u0437\u0430 \u0421\u0432.-\u0421\u0430\u0432\u0441\u043a\u0438 \u0445\u0440\u0430\u043c \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443 (Saint Sava Temple in Belgrade)\u201d [competition sketch by M. Zlokovi\u0107 and \u0410. Papkov], \u0420\u0430\u0448\u043a\u0430: \u0443\u043c\u0435\u0442\u043d\u0438\u0447\u043a\u0430 \u0441\u043c\u043e\u0442\u0440\u0430<\/em> (Belgrade), Vol. I, Iss. 1 (1929), n. n. [252]<\/a><\/p>\n

\u201e\u041f\u0440\u043e\u0431\u043b\u0435\u043c \u0436\u0435\u043b\u0435\u0437\u043d\u0438\u0447\u043a\u0438\u0445 \u043e\u0431\u0458\u0435\u043a\u0430\u0442\u0430 \u043d\u0430 \u0441\u0442\u0430\u043d\u0438\u0446\u0430\u043c\u0430 \u0408\u0430\u0434\u0440\u0430\u043d\u0441\u043a\u0435 \u043f\u0440\u0443\u0433\u0435 (The problem of railway facilities at the stations of the Adriatic Railway)\u201d, \u0420\u0430\u0448\u043a\u0430<\/em>, Vol. I, Iss. 1 (1929), 264.<\/a><\/p>\n

\u201eStara i nova shvatanja (Old and new understandings)\u201d, Arhitektura: mese\u010dna revija za gra\u0111evinsku, likovnu i primenjenu umetnost<\/em> (Ljubljana), \u0160tev. 5 (1932), 143-144.<\/a><\/p>\n

\u201eProblem unutra\u0161njeg zaliva Boke Kotorske (The problem of the inner bay of the Bay of Kotor)\u201d, Pomorski Lloyd: stru\u010dni \u010dasopis za sve grane pomorstva<\/em> (Belgrade), Vol. I, (Nov.- Dec. 1935), 4-5.<\/a><\/p>\n

\u201eSistematizacija zapadnog dela kotorske obale (Systematization of the western part of the Kotor coast)\u201d (reprinted from \u201eGlasa Boke\u201d), Pomorski Lloyd<\/em>, Vol. II, No. 5 (1936), 1-3.<\/a><\/p>\n

\u201eO gra\u0111enju na Primorju (About building on the coast)\u201d, Pomorski Lloyd<\/em>, Vol. II, No. 8 (1936), 4-5., God. II, Br. 8 (1936), 4-5.<\/p>\n

\u201e\u0413\u0440\u0430\u0434\u0430\u0447\u043a\u0430 \u0446\u0440\u043a\u0432\u0430, \u0437\u0430\u0434\u0443\u0436\u0431\u0438\u043d\u0430 \u043a\u0440\u0430\u0459\u0438\u0446\u0435 \u0408\u0435\u043b\u0435\u043d\u0435 (Gradac Church, endowment of Queen Jelena)\u201d, \u0413\u043b\u0430\u0441\u043d\u0438\u043a \u0421\u043a\u043e\u043f\u0441\u043a\u043e\u0433 \u043d\u0430\u0443\u0447\u043d\u043e\u0433 \u0434\u0440\u0443\u0448\u0442\u0432\u0430<\/em> (Skopje), Vol. XV-XVI (1936), 61-80.<\/a><\/p>\n

\u0408\u0435\u0434\u0430\u043d \u043e\u0434 \u043f\u0440\u0435\u0434\u043b\u043e\u0433\u0430 \u0437\u0430 \u0443\u0440\u0435\u0452\u0435\u045a\u0435 \u0443\u0436\u0435\u0433 \u0446\u0435\u043d\u0442\u0440\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430 (One of the proposals for arranging the center of Belgrad), <\/em>A separate print from the yearbook of The Technical Faculty of the University of Belgrade<\/em> (\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a\u0430 \u0422\u0435\u0445\u043d\u0438\u0447\u043a\u043e\u0433 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443), Belgrade, 1937, 1-6. and an appendix with a proposed solution for arranging the center of Belgrade<\/a><\/p>\n

\u201e\u041e \u0440\u0438\u043c\u0441\u043a\u043e\u043c \u0431\u0430\u0440\u043e\u043a\u0443 (About the Roman Baroque)\u201d, \u0423\u043c\u0435\u0442\u043d\u0438\u0447\u043a\u0438 \u043f\u0440\u0435\u0433\u043b\u0435\u0434<\/em> (Belgrade), Vol. I, No. 6-7 (1938), 205-207.<\/a><\/p>\n

\u201e\u0413\u043b\u0430\u0432\u043d\u0430 \u043e\u0431\u0435\u043b\u0435\u0436\u0458\u0430 \u0441\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 (The main features of modern architecture)\u201d, \u041d\u043e\u0432\u0430 \u0441\u043c\u0435\u043d\u0430: \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0430 \u0438 \u043a\u045a\u0438\u0436\u0435\u0432\u043d\u0430 \u0441\u043c\u043e\u0442\u0440\u0430 \u043d\u043e\u0432\u0438\u0445 \u043d\u0430\u0440\u0430\u0448\u0442\u0430\u0458\u0430<\/em> (Belgrade), Vol. I, No. 2 (1938), 86-88.<\/a><\/p>\n

\u201e\u0423\u0442\u0438\u0446\u0430\u0458 \u0418\u0441\u0442\u043e\u043a\u0430 \u043d\u0430 \u043d\u0430\u0448\u0443 \u0444\u043e\u043b\u043a\u043b\u043e\u0440\u043d\u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0443 (The influence of the East on our folklore architecture)\u201d, \u0423\u043c\u0435\u0442\u043d\u0438\u0447\u043a\u0438 \u043f\u0440\u0435\u0433\u043b\u0435\u0434<\/em>, Vol. III, No. 9 (1940), 261-262.<\/a><\/p>\n

Jugoslaviens Balkanische Holzarchitekturen: Bauk\u00fcnstlerische analogien zwischen Japan und der Balkanhalbinsel als Grenzgebiete Orientalisch-Asiatischer Kulturzone (mit 40 Japan-Reproduktionen, 4 Kartenskizzen, 342 Originalaufnahmen)<\/em>, Beograd, 1940. (work on a freely chosen topic sent to Tokyo at the end of September 1940, as part of an international scientific competition announced on the occasion of the 2600th anniversary of the founding of the Empire of Japan. The report on the receipt of work arrived at the beginning of 1941. The outcome of the competition remained unknown due to the outbreak of World War II. A copy of the work has been preserved in the legacy of M. Zlokovi\u0107)<\/a><\/p>\n

\u201e\u0423\u0442\u0438\u0446\u0430\u0458 \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0441\u043a\u043e\u0433 \u0441\u0438\u0441\u0442\u0435\u043c\u0430 \u0411\u043b\u043e\u043d\u0434\u0435\u043b\u043e\u0432\u0435 \u043a\u0430\u043f\u0438\u0458\u0435 \u0421\u0432. \u0414\u0435\u043d\u0438-\u0430 \u0443 \u041f\u0430\u0440\u0438\u0437\u0443 \u043d\u0430 \u043d\u0435\u0434\u043e\u0432\u043e\u0459\u043d\u043e \u0440\u0430\u0441\u0432\u0435\u0442\u0459\u0435\u043d \u043f\u0440\u043e\u0431\u043b\u0435\u043c \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0458\u0430 \u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438 (The influence of the proportional system of Blondel’s gate of St. Denia in Paris on the insufficiently unraveling problem of proportions in architecture)\u201d, \u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0422\u0435\u0445\u043d\u0438\u0447\u043a\u043e\u0433 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0430 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443<\/em> \u0437\u0430 1946. \u0438 1947. (1949), 45-58.<\/a><\/p>\n

\u201e\u041a\u0440\u0438\u0442\u0438\u0447\u043a\u0438 \u043e\u0441\u0432\u0440\u0442 \u043d\u0430 \u0437\u043d\u0430\u0447\u0430\u0458 \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0458\u0441\u043a\u0438\u0445 \u0434\u0438\u0458\u0430\u0433\u0440\u0430\u043c\u0430 \u0438 \u043c\u043e\u0434\u0443\u043b\u0430\u0440\u043d\u0438\u0445 \u043c\u0440\u0435\u0436\u0430 \u0443 \u043f\u0440\u043e\u0458\u0435\u043a\u0442\u043e\u0432\u0430\u045a\u0443 (A critical review of the importance of proportional diagrams and modular networks in design)\u201d, in: \u0420\u0435\u0444\u0435\u0440\u0430\u0442\u0438 \u0437\u0430 I \u0421\u0430\u0432\u0435\u0442\u043e\u0432\u0430\u045a\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u0438 \u0443\u0440\u0431\u0430\u043d\u0438\u0441\u0442\u0430 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435, \u041f\u0440\u0432\u0438 \u0434\u0435\u043e<\/em>, \u0414\u0443\u0431\u0440\u043e\u0432\u043d\u0438\u043a 23. \u0434\u043e 25. XI 1950. (\u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041d\u0430\u0443\u0447\u043d\u0430 \u043a\u045a\u0438\u0433\u0430, 1950), 161-168.<\/a><\/p>\n

\u201e\u0413\u0440\u0430\u0452\u0430\u043d\u0441\u043a\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0443 \u0411\u043e\u043a\u0438 \u041a\u043e\u0442\u043e\u0440\u0441\u043a\u043e\u0458 \u0443 \u0434\u043e\u0431\u0430 \u043c\u043b\u0435\u0442\u0430\u0447\u043a\u0435 \u0432\u043b\u0430\u0441\u0442\u0438 (Civil architecture in the Bay of Kotor during the Venetian rule)\u201d, \u0421\u043f\u043e\u043c\u0435\u043d\u0438\u043a<\/em>, Vol. CIII, No. 5, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u0438\u0437\u0432\u0435\u0448\u0442\u0430\u0458\u0430 \u043e \u0438\u0441\u0442\u0440\u0430\u0436\u0438\u0432\u0430\u045a\u0438\u043c\u0430 \u0411\u043e\u043a\u0435 \u041a\u043e\u0442\u043e\u0440\u0441\u043a\u0435 I<\/em> (\u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0421\u0410\u041d\u0423, 1953), 131-146.<\/a><\/p>\n

\u201eHouses and mansions\u201d (Gra\u0111anske ku\u0107e i palate u Boki \u041aotorskoj), Jugoslavija: ilustrovani magazin<\/em> (Belgrade), Iss. 8 [Montenegro], (1954), 56-58. <\/a><\/p>\n

\u201eO problemu modularne koordinacije mera u arhitektonskom projektovanju (On the problem of modular coordination of measures in architectural design)\u201d, Tehnika: organ Saveza in\u017eenjera i tehni\u010dara FNRJ<\/em> (Beograd), Vol. IX, No. 2 (1954), 169-182.<\/a><\/p>\n

\u201eUticaj recipro\u010dnog zalan\u010davanja harmonijskih razmera na proporcijski sklop izvesnog fasadnog sistema, I (Influence of reciprocal chaining of harmonic dimensions on the proportional assembly of a certain facade system I)\u201d, Tehnika<\/em>, Vol. IX, No. 6 (1954), 833-840.<\/a><\/p>\n

\u201eUticaj recipro\u010dnog zalan\u010davanja harmonijskih razmera na proporcijski sklop izvesnog fasadnog sistema, II (Influence of reciprocal chaining of harmonic dimensions on the proportional assembly of a certain facade system II)\u201d, Tehnika<\/em>, Vol. IX, No. 7 (1954), 1001-1006. <\/a><\/p>\n

\u201eUloga neprekidne podele ili \u201ezlatnog preseka\u201c u arhitektonskoj kompoziciji (I deo) (The role of continuous division or “golden section” in architectural composition (Part I))\u201d, \u041f\u0440\u0435\u0433\u043b\u0435\u0434 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435: \u0432\u0435\u0441\u043d\u0438\u043a \u0434\u0440\u0443\u0448\u0442\u0432\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u0421\u0440\u0431\u0438\u0458\u0435<\/em> (Belgrade), No. 1 (1954), 11-17.<\/a><\/p>\n

\u201e\u0426\u0430\u0432\u0442\u0430\u0442 \u0438 \u0411\u0443\u0434\u0432\u0430 (Cavtat and Budva)\u201d, \u041f\u0440\u0435\u0433\u043b\u0435\u0434 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435<\/em>, No. 2 (1954), 43.<\/a><\/p>\n

\u201eUloga neprekidne podele ili \u201ezlatnog preseka\u201c u arhitektonskoj kompoziciji (II deo) (The role of continuous division or “golden section” in architectural composition (Part II))\u201d, \u041f\u0440\u0435\u0433\u043b\u0435\u0434 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435<\/em>, No. 2 (1954), 44-48.<\/a><\/p>\n

\u201eUloga neprekidne podele ili \u201ezlatnog preseka\u201c u arhitektonskoj kompoziciji (III deo) (The role of continuous division or “golden section” in architectural composition (Part III))\u201d, \u041f\u0440\u0435\u0433\u043b\u0435\u0434 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435<\/em>, No. 3 (1955), 80-85.<\/a><\/p>\n

\u201e\u0421\u0432\u0435\u0447\u0435\u043d\u0430 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0458\u0430 \u043d\u0430 \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u043c \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0443 \u043f\u043e\u0432\u043e\u0434\u043e\u043c \u043e\u0434\u043b\u0430\u0441\u043a\u0430 \u0443 \u043f\u0435\u043d\u0437\u0438\u0458\u0443 \u043f\u0440\u043e\u0444. \u0421\u0432\u0435\u0442\u043e\u0437\u0430\u0440\u0430 \u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045b\u0430 (On the occasion of the retirement of prof. arch. Svetozara Jovanovi\u0107)\u201d, \u041f\u0440\u0435\u0433\u043b\u0435\u0434 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435<\/em>, No. 4-5 (1955-1956), 93-95.<\/a><\/p>\n

\u201eDivina proportio \u2260 sectio aurea\u201d, \u041f\u0440\u0435\u0433\u043b\u0435\u0434 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435<\/em>, No. 4-5 (1955-1956), 126-127.<\/a><\/p>\n

\u201e\u041ariti\u010dki osvrt na modularne mere standardnih elemenata \u201eDurisol\u201c putem analize dve fasadne kombinacije u oktametarskom sistemu (Critical review of modular measures of standard elements “Durisol” by analyzing two facade combinations in an octametric system)\u201d, Tehnika<\/em>, Vol. X, No. 3 (1955), 331-337.<\/a><\/p>\n

\u201e\u0410\u043d\u0442\u0440\u043e\u043f\u043e\u043c\u043e\u0440\u0444\u043d\u0438 \u0441\u0438\u0441\u0442\u0435\u043c\u0438 \u043c\u0435\u0440\u0430 \u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438 \u2013 \u040a\u0438\u0445\u043e\u0432\u043e \u0438\u043d\u0442\u0435\u0433\u0440\u0438\u0441\u0430\u045a\u0435 \u0443 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0441\u043a\u0435 \u043c\u0435\u0442\u043e\u0434\u0435 \u043f\u0440\u043e\u0448\u043b\u043e\u0441\u0442\u0438, \u043f\u043e\u0441\u0435\u0431\u043d\u043e \u043e\u0431\u0458\u0430\u0448\u045a\u0435\u043d\u043e \u043d\u0430 \u043d\u0435\u043a\u043e\u043b\u0438\u043a\u043e \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u0447\u043d\u0438\u0445 \u043f\u0440\u0438\u043c\u0435\u0440\u0430 \u0434\u0440\u0443\u0433\u043e\u0441\u0442\u0435\u043f\u0435\u043d\u0435 \u043a\u0430\u043c\u0435\u043d\u0435 \u043f\u043b\u0430\u0441\u0442\u0438\u043a\u0435 \u0411\u043e\u043a\u0435 \u041a\u043e\u0442\u043e\u0440\u0441\u043a\u0435, \u041a\u043e\u0440\u0447\u0443\u043b\u0435 \u0438 \u0414\u0443\u0431\u0440\u043e\u0432\u043d\u0438\u043a\u0430 (Anthropomorphic systems of measures in architecture – their integration into the compositional methods of the past, a special explanation of several characteristic examples of stone sculpture of the Bay of Kotor, Kor\u010dula and Dubrovnik)\u201d, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u0437\u0430\u0448\u0442\u0438\u0442\u0435 \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0435 \u0421\u0430\u0432\u0435\u0437\u043d\u043e\u0433 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442\u0430 \u0437\u0430 \u0437\u0430\u0448\u0442\u0438\u0442\u0443 \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0435<\/em> (Belgrade), Vol. IV-V (1953\/54), 181-216.<\/a><\/p>\n

\u201e\u0413\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0441\u043a\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0441\u043a\u043e\u0433 \u0441\u043a\u043b\u043e\u043f\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u0438\u0445 \u0440\u0435\u0434\u043e\u0432\u0430 \u043f\u043e \u0412\u0438\u045a\u043e\u043b\u0438 (Geometric analysis of the proportional set of architectural works according to Vignola)\u201d, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u0433 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0430 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443<\/em>, Vol. II (1956), 35-73.<\/a><\/p>\n

\u201e\u041f\u0440\u0438\u043c\u0435\u043d\u0430 \u043d\u0430 \u0441\u0442\u0430\u043d\u0434\u0430\u0440\u0434\u043d\u0438\u043e\u0442 \u043c\u0434\u0443\u043b 1\u041c=10cm \u0432\u043e \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0441\u043a\u043e\u0442\u043e \u043f\u0440\u043e\u0435\u043a\u0442\u0438\u0440\u0430\u045a\u0435 (Application of the standard modulus 1M = 10cm in architectural design)\u201d, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0422\u0435\u0445\u043d\u0438\u0447\u043a\u0438\u043e\u0442 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442 \u0432\u043e \u0421\u043a\u043e\u043f\u0458\u0435<\/em>, Vol. I (1955\/56), 177-190.<\/a><\/p>\n

Sur le choix d`une dimensionnelle dans la coordination modulaire en architecture<\/em>, Belgrade, 1957. (manuscript handed over to the participants of the congress of the International Organization for Standardization, held in June 1957 in Paris, vid.: Letoslaw Piolun-Noyszewski, Zasady koordynacji modularnej w budownictwie<\/em>, Warszawa (1961), 27, 63, 65. i tab. 22.<\/a><\/p>\n

\u201eStara ravnila poznata pod imenom \u00bbterazije\u00ab (Old rulers known as scales)\u201d, Na\u0161e starine: godi\u0161njak Zemaljskog zavoda za za\u0161titu spomenika kulture i prirodnih rijetkosti NR Bosne i Hercegovine<\/em> (Sarajevo), Vol. IV (1957), 298-300.<\/a><\/p>\n

\u201eInterpretazione modulare degli ordini del Vignola\u201d, La Casa: Quaderni di architettura e di critica<\/em> (Roma), Nu. 4 (1957), 162-169.<\/p>\n

\u201eUticaj modularne koordinacije na estetsku komponentu u arhitekturi (Influence of modular coordination on the aesthetic component of architecture)\u201d, Savetovanje o modularnoj koordinaciji u gra\u0111evinarstvu, Beograd, 30. septembar \u2013 2. oktobar 1958. (Beograd: Savezni zavod za produktivnost rada, 1958) (Consulting on modular coordination in construction<\/em>, Federal Bureau of Labor Productivity), 5-21, Appendix 1: Sl. 1-16<\/a><\/p>\n

\u201eVeli\u010dina projektnog modula u odnosu na osnovni gra\u0111evinski modul u oblasti funkcionalnog prou\u010davanja normiranog stana (The size of the project module in relation to the basic construction module in the field of functional study of a standardized apartment)\u201d, Dokumentacija za gra\u0111evinarstvo i arhitekturu<\/em> (Belgrade), Vol. II, No. 74, (1959), 1-12.<\/a><\/p>\n

Considerations compositionnelles sur la necessite d`une application raisonne de la coordination modulaire dnas le batiment<\/em>, rukopis za Kongres CIB<\/em>, Rotterdam 1959.<\/a><\/p>\n

[M. Bajlon, Z. M. i B. Milenkovi\u0107], \u201eUputstva za projektovanje stanova u modularnoj koordinaciji (Design guidelines in modular coordination)\u201d, Dokumentacija za gra\u0111evinarstvo i arhitekturu<\/em>, Vol. IV, Iss. 23-24 (1961), 1-33.<\/a><\/p>\n

\u201e\u0417\u0430 \u0443\u043b\u043e\u0433\u0430\u0442\u0430 \u0438 \u0437\u043d\u0430\u0447\u0435\u045a\u0435\u0442\u043e \u043d\u0430 \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u043e\u043d\u0438\u0442\u0435 \u0448\u0435\u0441\u0442\u0430\u0440\u0438 \u0432\u043e \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0441\u043a\u0438\u0442\u0435 \u043c\u0435\u0442\u043e\u0434\u0438 \u043d\u0430 \u0430\u043d\u0442\u0438\u0447\u043a\u0430\u0442\u0430 \u043b\u0438\u043a\u043e\u0432\u043d\u0430 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442 (On the role and significance of proportional compasses in the compositional methods of ancient fine art)\u201d, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0422\u0435\u0445\u043d\u0438\u0447\u043a\u0438\u043e\u0442 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442 \u0432\u043e \u0421\u043a\u043e\u043f\u0458\u0435<\/em> 1957\/1958, 43-94.<\/a><\/p>\n

\u201eIntegrisanje \u201eModulora\u201c-a u internacionalni modularni sistem (Integration of “Modulora” into the international modular system)\u201d, Arhitektura-urbanizam: \u010dasopis za arhitekturu, urbanizam, primenjenu umetnost i industrisko oblikovanje<\/em> (Belgrade), Vol. I, No. 6 (1960), 28-31.<\/a><\/p>\n

[Z. M., Milica Mojovi\u0107 i \u0110or\u0111e Zlokovi\u0107], \u201eNova u\u010diteljska \u0161kola u Prizrenu \u2013 Studijska primena modularne koordinacije mera na projekat zgrade monta\u017enog tipa (New teacher’s school in Prizren \u2013 Study application of modular coordination of measures on the project of a prefabricated building)\u201d, Zbornik radova Instituta za arhitekturu i urbanizam Srbije<\/em> (Belgrade), Iss. 1 (1961), 15-22.<\/a><\/p>\n

[Z. M. i \u0110or\u0111e Zlokovi\u0107], Coordination modulaire applique en architecture. Pipes touristiques en Yougoslavie, Cote Adriatique, Littoral Montenegrin<\/em>, Jugoslavenski zavod za produktivnost rada (Beograd), 1961.<\/p>\n

[Z. M. i \u0110or\u0111e Zlokovi\u0107], \u201eZna\u010daj modularne koordinacije u projektovanju i konstruisanju zgrada: Primer prakti\u010dne primene na turisti\u010dkim objektima za crnogorsko primorje kao sredstva produktivnijeg gra\u0111enja (The importance of modular coordination in the design and construction of buildings. An example of practical application on tourist facilities for the Montenegrin Littoral as a means of more productive construction)\u201d, Produktivnost: \u010dasopis za pitanja produktivnosti<\/em> (Belgrade), Vol. III, No. 9 (1961), 583-593.<\/a><\/p>\n

Multiples du module de base Essai d`une systematisation des nombres preferientiels dans le domaine de la coordination modulaire, <\/em>Jugoslavenski zavod za produktivnost rada, 1962. (saop\u0161tenje izneto na sastanku IMG u Bambergu 1961. godine)<\/a><\/p>\n

Multiples modulaires de preference. Superposition de rescaux modulaires<\/em>, Jugoslavenski zavod za produktivnost rada, 1962. (a statement made at the IMG meeting in Paris in 1962)<\/a><\/p>\n

Sur l`application partique d`une coordination semimodulaire en batiment,<\/em> Jugoslavenski zavod za produktivnost rada, 1962. (announcement made at the IMG meeting in Stockholm in 1963)<\/p>\n

[Announcement by Milan Zlokovi\u0107] in: M. Zlokovi\u0107 (Ed.) Drugi razgovori o arhitekturi, Ohrid 1960 \u2013 Izraz u na\u0161oj savremenoj arhitekturi 2<\/em> (Beograd: Institut za arhitekturu i urbanizam SRS, 1964), 20-21.<\/a><\/p>\n

[Z. M., Milica Mojovi\u0107 i \u0110or\u0111e Zlokovi\u0107] \u201eNovo turisti\u010dko naselje u Ulcinju (New tourist resort in Ulcinj)\u201d, Arhitektura-urbanizam<\/em>, No. 22-23 (1963), 47-50.<\/a><\/p>\n

\u201eOsmogodi\u0161nja \u0161kola \u201eStevan Filipovi\u0107\u201c na \u041aaraburmi u Beogradu (Eight-year school \u201d Stevan Filipovi\u0107 \u201don Karaburma in Belgrade)\u201d, Arhitektura-urbanizam<\/em>, No. 25, (1964), 10-11.<\/a><\/p>\n

\u201eU\u010diteljska \u0161kola u Prizrenu \u2013 Studijska primena modularne koordinacije mera na projekat zgrade monta\u017enog tipa (Teacher’s school in Prizren \u2013 Study application of modular coordination of measures on the project of a prefabricated building)\u201d, Arhitektura-urbanizam<\/em>, No. 38 (1966), 48-50. (a review of the school written in 1960, published posthumously)<\/a><\/p>\n

\u201eLa coordinazione modulare\u201d, in: Industrializzazione dell\u2019edilizia (Bari: Dedalo libri, 1965), 140-196.
\n<\/a><\/p>\n

[Z. M. i \u0110or\u0111e Zlokovi\u0107], \u201eVi\u0161a pedago\u0161ka \u0161kola u Prizrenu (Higher Pedagogical School in Prizren)\u201d, Zbornik radova Instituta za arhitekturu i urbanizam Srbije<\/em>, No. 6 (1972), 38-39.
\n<\/a><\/p>\n

[Z. M. i \u0110or\u0111e Zlokovi\u0107], \u201eVi\u0161a pedago\u0161ka \u0161kola u Prizrenu\u201d, Zbornik radova Instituta za arhitekturu i urbanizam Srbije<\/em>, Br. 6 (1972), 38-39.<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Statements, comments and opinions of Milan Zlokovi\u0107 in the daily or weekly press <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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[\u0417. \u041c., \u0408. \u0414\u0443\u0431\u043e\u0432\u0438, \u0411. \u041a\u043e\u0458\u0438\u045b \u0438 \u0414. \u0411\u0430\u0431\u0438\u045b], \u201e\u0413\u0440\u0443\u043f\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0430\u0442\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0433 \u043f\u0440\u0430\u0432\u0446\u0430 (A group of architects of the modern direction)\u201d [on the occasion of the announcement in \u041f\u043e\u043b\u0438\u0442\u0438\u043a\u0430 of December 20, 1928, 6], \u041f\u043e\u043b\u0438\u0442\u0438\u043a\u0430<\/em> (Belgrade), 21. 12. 1928, 9.<\/a><\/p>\n

\u201e\u041c\u0438\u043d\u0438\u0441\u0442\u0430\u0440 \u0433\u0440\u0430\u0452\u0435\u0432\u0438\u043d\u0430 \u0433. \u0421\u0442. \u0421\u0430\u0432\u043a\u043e\u0432\u0438\u045b \u043e\u0442\u0432\u043e\u0440\u0438\u043e \u0458\u0435 \u0434\u0430\u043d\u0430\u0441 \u0438\u0437\u043b\u043e\u0436\u0431\u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 (Minister of Construction Mr. St. Savkovi\u0107 opened an exhibition of architecture today)\u201d [speech M. Z. at the grand opening of the architecture exhibition], \u041f\u0440\u0430\u0432\u0434\u0430<\/em> (Belgrade), 10. 6. 1929, 5.<\/a><\/p>\n

\u201e\u0418\u0437\u043b\u043e\u0436\u0431\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 \u2013 \u0443\u0437 \u043d\u0430\u0448\u0435 \u043f\u0440\u0435\u0434\u0430\u0432\u0430\u045a\u0435 \u043e\u0434 27. \u0458\u0443\u043d\u0430 (Exhibition of architecture. With our lecture from June 27)\u201d, \u0420\u0430\u0434\u0438\u043e \u0411\u0435\u043e\u0433\u0440\u0430\u0434<\/em> (Belgrade), No. 15, 23. 6. 1929, 6.<\/a><\/p>\n

Anon, \u201e\u0426\u0438\u0459\u0435\u0432\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 (Goals of modern architecture)\u201d [excerpts from lectures by M. Zlokovi\u0107 at the People’s University], \u0412\u0440\u0435\u043c\u0435<\/em> (Belgrade), 20. 2. 1930, 6.<\/a><\/p>\n

\u201e\u041d\u043e\u0432\u0438 \u043d\u0430 \u043f\u043e\u0441\u043b\u0443 (New at work)\u201d [Statements by A. Derok and M. Zlokovi\u0107 on architecture], \u0412\u0440\u0435\u043c\u0435<\/em>, 19. 4. 1930, 4.<\/a><\/p>\n

\u201e\u041a\u0430\u043a\u043e \u0442\u0440\u0435\u0431\u0430 \u0434\u0430 \u0438\u0437\u0433\u043b\u0435\u0434\u0430 \u0431\u0443\u0434\u0443\u045b\u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u043d\u0438 \u0445\u0440\u0430\u043c \u0421\u0432\u0435\u0442\u043e\u0433\u0430 \u0421\u0430\u0432\u0435 (What should the future monumental temple of Saint Sava look like)\u201d [opinion of M. Zlokovi\u0107], \u0412\u0440\u0435\u043c\u0435<\/em>, 25. 1. 1932, 7.<\/a><\/p>\n

Anon, \u201e\u041f\u0440\u0438\u043d\u0446\u0438\u043f\u0438 \u0441\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 (Principles of contemporary architecture)\u201d [excerpts from lectures by M. Zlokovi\u0107 at Kolarac People’s University], \u0412\u0440\u0435\u043c\u0435<\/em>, 15. 11. 1933, 7.<\/a><\/p>\n

Anon, \u201e\u0421\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0443 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0438 (Contemporary architecture in Yugoslavia)\u201d [excerpts from lectures by M. Zlokovi\u0107 at Kolarac People’s University], \u0412\u0440\u0435\u043c\u0435<\/em>, 7. 12. 1933, 8.<\/a><\/p>\n

\u201e\u0423\u043c\u0435\u0441\u0442\u043e \u0441\u0440\u0443\u0448\u0435\u043d\u0435 \u201e\u0410\u043b\u0431\u0430\u043d\u0438\u0458\u0435\u201d\u2026 \u0442\u0440\u0435\u0431\u0430\u043b\u043e \u0431\u0438 \u043f\u043e\u0434\u0438\u045b\u0438 \u0437\u0433\u0440\u0430\u0434\u0443 \u043a\u043e\u0458\u0430 \u045b\u0435 \u043d\u0430\u043c \u0434\u043e\u0447\u0430\u0440\u0430\u0442\u0438 \u0431\u0430\u0440 \u0458\u0435\u0434\u0430\u043d \u043e\u0434\u043b\u043e\u043c\u0430\u043a \u045a\u0443\u0458\u043e\u0440\u043e\u0448\u043a\u043e\u0433 \u0420\u043e\u043a\u0444\u0435\u043b\u0435\u0440-\u0441\u0438\u0442\u0438\u0458\u0430\u2026 (Instead of destroyed \u201cAlbania\u201d\u2026 a building should be erected that will conjure up at least one fragment of Rockefeller City, New York\u2026)\u201d [statement in the survey], \u0412\u0440\u0435\u043c\u0435<\/em>, 21. 10. 1936, 11<\/a><\/p>\n

\u201e\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0438 \u2013 \u043f\u0440\u043e\u0458\u0435\u043a\u0442\u0430\u043d\u0442\u0438 \u0437\u0430\u0448\u0442\u0438\u045b\u0435\u043d\u0438 \u0441\u0443 \u043d\u043e\u0432\u0438\u043c \u043f\u0440\u0430\u0432\u0438\u043b\u043d\u0438\u0446\u0438\u043c\u0430 \u043d\u0430 \u0441\u0432\u0438\u043c \u0458\u0430\u0432\u043d\u0438\u043c \u043a\u043e\u043d\u043a\u0443\u0440\u0441\u0438\u043c\u0430 (Architects – designers are protected by new regulations in all public competitions)\u201d [with the statement of M. Zlokovi\u0107], \u041f\u0440\u0430\u0432\u0434\u0430<\/em>, 18. 11. 1938, 7.<\/a><\/p>\n

\u201e\u041a\u0430\u043a\u043e \u0442\u0440\u0435\u0431\u0430 \u0443\u0440\u0435\u0434\u0438\u0442\u0438 \u0441\u0440\u0435\u0434\u0438\u0448\u0442\u0435 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430. \u041d\u0430\u0447\u0435\u043b\u043d\u043e \u043c\u0438\u0448\u0459\u0435\u045a\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0435 \u041c. \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430, \u043f\u0440\u043e\u0444\u0435\u0441\u043e\u0440\u0430 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 (How to arrange the center of Belgrade. The general opinion of architect M. Zlokovi\u0107, a professor at the University)\u201d, \u041e\u0431\u043d\u043e\u0432\u0430<\/em> (Belgrade), Jun, 1 1942, 4.<\/a><\/p>\n

\u201e\u041f\u043e\u0432\u043e\u0434\u043e\u043c \u043f\u0440\u0435\u0434\u043b\u043e\u0433\u0430 \u0437\u0430 \u0443\u0440\u0435\u0452\u0435\u045a\u0435 \u201e\u0422\u0435\u0440\u0430\u0437\u0438\u0458\u0430\u201c. \u0418\u0437\u0458\u0430\u0432\u0430 \u043f\u0440\u043e\u0444. \u041c. \u0417\u043b\u043e\u043a\u043e\u0432\u0438\u045b\u0430 (On the occasion of the proposal for arranging \u201eTerazije\u201c. Statement of prof. M. Zlokovi\u0107)\u201d, \u041e\u0431\u043d\u043e\u0432\u0430<\/em>, Jun, 17 1942, 4.<\/a><\/p>\n

\u201e\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0438 (Architecture and architects)\u201d, \u041d\u0418\u041d: \u043d\u0435\u0434\u0435\u0459\u043d\u0435 \u0438\u043d\u0444\u043e\u0440\u043c\u0430\u0442\u0438\u0432\u043d\u0435 \u043d\u043e\u0432\u0438\u043d\u0435<\/em> (Belgrade), No. 218, 6. March 1955, 10.<\/a><\/p>\n

\u201e\u0421\u0442\u0430\u043d\u0434\u0430\u0440\u0434\u0438\u0437\u0430\u0446\u0438\u0458\u0430 \u043f\u0440\u0435 \u043d\u0435\u043a\u043e\u043b\u0438\u043a\u043e \u0432\u0435\u043a\u043e\u0432\u0430 (Standardization several centuries ago)\u201d, Tehni\u010dke novine<\/em> (Belgrade), Vol. IX, No. 8 \u2013 April 15, 1955, 5.<\/a><\/p>\n

\u201e\u0410\u043d\u043a\u0435\u0442\u0430 \u043e \u0441\u043f\u043e\u043c\u0435\u043d\u0438\u0446\u0438\u043c\u0430 (Survey of monuments)\u201d [statement M. Z. in a survey: Committees for the erection of monuments consider artists obedient executors – their conceptions!], \u041d\u0418\u041d<\/em>, No. 238, 24. July 1955, 10.<\/a><\/p>\n

\u201e\u041d\u0430\u0458\u043d\u043e\u0432\u0438\u0458\u0430 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430 (The latest architecture of Belgrade)\u201d, \u041f\u043e\u043b\u0438\u0442\u0438\u043a\u0430<\/em>, 29. 11. \u2013 1. 12. 1956, 12.<\/a><\/p>\n

\u201e<\/span>\u0421\u0430 \u043f\u0443\u0442\u0430 \u043f\u043e \u0418\u0442\u0430\u043b\u0438\u0458\u0438: \u041c\u0438\u043b\u0430\u043d\u043e \u0438 \u0412\u0435\u043d\u0435\u0446\u0438\u0458\u0430 (From a trip around Italy: Milan and Venice)\u201d, <\/span>Tehni\u010dke novine<\/span><\/i>, Vol. X, No. 10 \u2013 May 15, 1956, 5.<\/span><\/a><\/p>\n

\u201e\u041a\u0430\u043f\u0435\u0442\u0430\u043d\u0441\u043a\u0435 \u043a\u0443\u045b\u0435 \u0443 \u0411\u043e\u043a\u0438 (Captain’s houses in Boka)\u201d, \u041f\u043e\u043b\u0438\u0442\u0438\u043a\u0430<\/em>, 13. 4. 1958, 19.<\/a><\/p>\n

\u201e\u0428\u0442\u0430 \u0441\u0435 \u043f\u0440\u043e\u043f\u0443\u0441\u0442\u0438\u043b\u0438\u2026 \u0420\u0430\u0437\u0433\u043e\u0432\u043e\u0440 \u0441\u0430 \u0434\u043e\u0431\u0438\u0442\u043d\u0438\u0446\u0438\u043c\u0430 \u043d\u0430\u0433\u0440\u0430\u0434\u0435 \u0437\u0430 \u0436\u0438\u0432\u043e\u0442\u043d\u043e \u0434\u0435\u043b\u043e (What you missed\u2026 Conversation with the winners of the Lifetime Achievement Award)<\/em>\u201d [statement by M. Zlokovi\u0107: The curtain is not down], \u041d\u0418\u041d, No. 653, 14. VII 1963, 8-9.<\/a><\/p>\n

\u201e\u041e \u0444\u0443\u043d\u043a\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u043e\u0458 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0438 \u0434\u0432\u043e\u0441\u043e\u0431\u043d\u043e\u0433 \u0441\u0442\u0430\u043d\u0430 (About the functional structure of a two-bedroom apartment)\u201d, \u041f\u043e\u043b\u0438\u0442\u0438\u043a\u0430<\/em>, 9. 5. 1965, 20.<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Written Papers Zlokovi\u0107’s written works comprise a heterogeneous research in which several important topics that preoccupied his interests are recognized – the study of ancient Balkan architecture, consideration of the principles and role of modern architecture, research of modular coordination of measures through theoretical analysis of classical architecture and its application in modern architecture, presentation […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6919,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-6943","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nWritten Papers - Fondacija Milan Zlokovi\u0107<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.milanzlokovic.org\/en\/research\/written-papers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Written Papers - 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